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Dicepeople

Dicepeople is a musical project created by Matt Brock. Dicepeople was originally set up in London, UK in the mid-90s as an side project when Brock was more heavily involved with acts Noise Union and Replikator. In 2008, however, Brock transformed Dicepeople into his primary musical project and, with it, aimed to go beyond pure music. The tagline for Dicepeople is 'dark for the body and mind' because Brock's aim is to create music that combines driving beats with evocative and emotionally engaging harmonies and melodies.

Read more about Dicepeople on Last.fm.

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Paul Hardcastle

British synth player, born December 10, 1958. Enjoyed success on the scene in the early 80's before breaking into the mainstream with "19", an international smash which spent five weeks at number one in the UK. In the latter half of the 1980s he specialised in work. He made the theme tunes for Top of The Pops and Saturday Live, popular British entertainment shows. Paul now records mainly under the pseudonym Jazzmasters. Early tracks of note include the popular 'Rain Forest' and 'King Tut', both were big dance hits in the U.S.

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Take

(For the Korean boy band, see 테이크.) There is more than one artist under this name: 1. Based in Los Angeles, Take (Sweatson Klank) is a composer who continues to push the boundaries of instrumental hip-hop music into new directions. After multiple successful EP's under his belt, Take finally unleashed his debut full length player in 2007, Earthtones and Concrete. This music is nothing short of an epic journey with continuously evolving collages that lead the listener down a dust covered road of bit-crushed melodies and molested jazz samples.

Read more about Take on Last.fm.

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Cambridge Chorale

Cambridge Chorale was formed in 1994 and immediately gained a reputation for its inspirational and high-quality performances. Under its founding director, Michael Kibblewhite, the choir performed regularly throughout East Anglia and in many prestigious venues further afield, including St Paul's Cathedral, London; Basilica di San Francesco, Assisi; and even a concert amongst the stalagmites and stalactites in a cave, deep within the Sardinian mountainside.

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access

Producer/Composer Daisuke Asakura (浅倉大介) and Vocalist Hiroyuki Takami (貴水博之) (real name Hiroyuki Fukuda) formed access in 1992. They released three orginal albums (Fast Access, Access II, and Delicate Planet) under the record label "BMG FUNHOUSE" before disbanding in 1995. Before access, Takami appeared on Asakura's album "D-Trick" performing the songs "1000 Nen no Chigai", "Toy Box in the Morning", and "Cosmic Runaway" (which later would be known as Daisuke Asakura PRED. AXS - Cosmic Runaway).

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Funker Vogt

When "Funker Vogt" was founded in 1995 by Gerrit Thomas and Jens Kästel, nobody could foresee that, within just one year, it would grow into one of the leading -acts of today. Originally, it had been envisaged as just one more of Gerrit Thomas's many musical projects; however, the project took the world by storm and grew to become his main act. The members consist of Gerrit Thomas, Jens Kästel, Björn Böttcher, Frank Schweigert (who replaced Thomas Kroll in 2004), and Kai Schmidt. They all hail from the town of Hameln, Germany.

Read more about Funker Vogt on Last.fm.

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Afternaut

Afternaut is the latest project from the Liverpool based musician, Adam Rowley. For the past decade Adam has been involved with various music projects, initially starting off playing guitar in bands. But it wasn’t until 2004, while studying Film and TV at university, where he was introduced to sound manipulation using computers with effects and synthesis. This interest led to working on sound for film projects at university. Not only recording sound but also creating soundtracks. Since 2006, Adam has also been a sound designer/audio producer for the games industry.

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Gary Wilson

Hailing from Endicott, NY, Gary Wilson is an archetypal figure in the "outsider music" movement with other artists like The Shaggs and Jandek as its most notable members. Gary Wilson first came onto the scene in 1977 with "You Think You Really Know Me," which he recorded alone in his parents' basement. Using synthesizers and spinning disturbing tales of obsession with different women, Wilson's record had no effect on the mainstream but its cold detachment and electro-funk aesthetic was a hit with the college radio stations.

Read more about Gary Wilson on Last.fm.

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