instrumental hip-hop | Musicosity

instrumental hip-hop

Ultramagnetic MC's

Members Kool Keith, Ced Gee, TR Love and Moe Love released their debut album Critical Beatdown, produced by Paul C., in 1988 and inspired the world of hip hop with their original sound of unorthodox sampling, polysyllabic rhymes, and bizarre lyrical imagery. Kool Keith went on to work with many other groups and solo projects including The Cenobites, Dr Octagon, Masters Of Illusion and Dr. Dooom Their work has been often sampled, most notably in The Prodigy song "Smack My Bitch Up"

Read more about Ultramagnetic MC's on Last.fm.

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Emancipator

To some, it must seem like this young electronic producer came out of nowhere. Emancipator (Douglas Appling) played his first live show in July 2009, opening for Bonobo at the Roseland Theater (cap. 1500). Since then, he’s toured with Bassnectar, drawn crowds at festivals like Trinumeral and Symbiosis, and closed out Sound Tribe Sector 9’s late night parties in Denver at the request of the band.

Read more about Emancipator on Last.fm.

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House Shoes

Detroit Hip-Hop's Ambassador to the World. Michael "HouseShoes" Buchanan has been an integral part of the long burgeoning Motown resurgence. Ask the people coming out of Detroit and they will confirm all of this. Houseshoes, a resident DJ at the Hip-Hop staple St. Andrews Hall from 1994-2004, has had personal influence over (at least) a full generation of emcees, producers, and then-future-DJs. Through House Shoes Recordings he pressed the now classic Jay Dee - Unreleased EP" (1996), Phat Kat

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True Live

Melbourne, Victoria, Australia based True Live formed in 2003. They're a unique ensemble that cross boundaries of genre and style while engaging audiences with songs of passion and meaning. With performances and recordings of musical and lyrical depth and a line-up consisting of a three-piece string section (cello, violin, double bass), percussion, keyboards and vocals, the group create a contemporary, organic sound that could only be described as monstrous.

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FLako

fLako is one of Europe’s best emerging beats producers at the moment. First appearing a couple of years ago on Up My Alley’s ‘Beatnicks Vol.2’ with the banging ‘Inside’, it was not until his outstanding remix for Robot Koch’s Vortex Cookies project in late 2008 that heads really began to turn, and his take on the track has since been a set-staple for players like Gaslamp Killer, Hudson Mohawke and Jay “Beat Dimensions” Scarlett. Damn right.

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Architeq

Since signing to Sav Remzi’s Tirk label in 2007, Architeq’s deep space dub-hip hop explorations have been heating up dancefloors, radio playlists and i-pod headphones the world over. Working closely with live drummers ( Scott Donald & Jerome Tcherneyan) and a die-hard analogue production ethic gives his music an organic vitality often missing from the productions of today’s laptop generation. With plaudits from everyone from Laurent Garnier to disco deviant Blackbelt Anderson and having attracted the attention of one Mary –Ann Hobbs. Architeq’s sound is diverse, deep and deliciously dubby.

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Shlohmo

L.A. native Henry Laufer, the 21-year-old producer better known as Shlohmo, is a lo-fi beat junkie and field-recording enthusiast, whose crackling, low-BPM compositions update Boards of Canada's filmstrip-soundtrack wooziness. An LA native, Laufer grew up listening to "stuff like DJ Shadow, Amon Tobin, M83 stuff with some sort of cinematic vision." He started making beats when he was 14, but "didn't really do it with any sort of purpose until I was like 17 or 18. That was also around the time he and his friends, already fans of Flying Lotus, discovered Low End Theory.

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Gramatik

Good music is felt not heard. Gramatik apparently understood that at an age of 3 according to his mother as she used to catch him glued to the radio in his older sister's room whenever there was an old funk or rhythm & blues joint on, tapping his leg on the floor along with the beat. Damn, talking about a sign on what will your child do when he grows up! Parents got him taking piano lessons in the elementary music school when he was in 2nd grade, but he dropped out 2 years later because he wasn't feeling that whole classical music thing as that was the only genre they were teaching.

Read more about Gramatik on Last.fm.

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The Cruel Sea

The Cruel Sea is a multi-ARIA Award winning 90s Australian rock/blues outfit. Originally an instrumental band focused on surf sounds, the addition of vocalist Tex Perkins (also a member of The Beasts Of Bourbon and a solo artist) proved an inspired decision. Combining the charismatic Perkins with the highly talented musicians created an unstoppable force through much of the 90s. Members of the band continue to perform, though with the exception of Perkins, most activity is fairly low key.

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