Oh No
It was around the age of 11 when making beats won out over video games to become Oh No
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Amin Payne
Producing, composing and DJing for over 6 years, Amin’s love affair
with music and sound has driven this talented musician to create diverse work that is well beyond his 27 years. Graduating from the International Sound and Audio Engineering Institute (SAE) with a Diploma in Audio and Sound in 2008 it seems there’s nothing stopping this young musician…. With abilities and an ear for creating music that has a truly international sound;
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Shlohmo
L.A. native Henry Laufer, the 21-year-old producer better known as Shlohmo, is a lo-fi beat junkie and field-recording enthusiast, whose crackling, low-BPM compositions update Boards of Canada's filmstrip-soundtrack wooziness. An LA native, Laufer grew up listening to "stuff like DJ Shadow, Amon Tobin, M83 stuff with some sort of cinematic vision." He started making beats when he was 14, but "didn't really do it with any sort of purpose until I was like 17 or 18. That was also around the time he and his friends, already fans of Flying Lotus, discovered Low End Theory.
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Robot Koch
Berlin based producer Robot Koch is the mastermind behind the critically acclaimed Jahcoozi and post rock/hiphop outfit The Tape vs RQM.
If he`s not on tour with Jahcoozi or Djing somewhere in the world he still finds time to produce and remix other people and write music for film scores. He made beats and remixes for artists like Infinite Livez (Ninja Tune/Big Dada) Justine Electra (City Slang), Raz Ohara (Kitty Yo), Data Mc (Hamton), Al Haca (Klein) and Christopher Wiltis (Ghostly International), Rustie (Stuff Records) and Amanda Blank (downtown rec).
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Take
(For the Korean boy band, see 테이크.) There is more than one artist under this name: 1. Based in Los Angeles, Take (Sweatson Klank) is a composer who continues to push the boundaries of instrumental hip-hop music into new directions. After multiple successful EP's under his belt, Take finally unleashed his debut full length player in 2007, Earthtones and Concrete. This music is nothing short of an epic journey with continuously evolving collages that lead the listener down a dust covered road of bit-crushed melodies and molested jazz samples.
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