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The Tango Saloon

The Tango Saloon is an experimental tango band from Sydney, Australia. Their self-titled debut, a tango-flavored album with a twist of spaghetti western, was released in 2006 by Ipecac Recordings, the American record label run by Mike Patton and Greg Werckman. The followup, Transylvania was released in 2008. In June 2007, the band was seen supporting Ipecac label-mates Peeping Tom on the East-coast leg of their Australian tour.

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SP:MC

Making the breakthrough into the world of the D&B MC is no small task, yet 28 year-old SP:MC has managed to establish himself as one of the busiest & most innovative on the circuit in the last 5 years. He proudly represents Shogun Audio , & Emcee Recordings . He has also represented for labels as diverse as Hospital, Renegade Hardware, Commercial Suicide, Prototype, Bassbin, Good Looking, Metalheadz, Quarantine, Digital Soundboy, Soul:R, Exit & Valve.

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Digital Mystikz

Digital Mystikz are dubstep producers from South London and, with Loefah, own the label DMZ and promote their own event of the same name. This takes place at the Mass in Brixton once every two months. Digital Mystikz are Mark Lawrence and D. Harris, also known as Mala and Coki. Although Loefah also releases on the label and performs back to back DJ sets with Mala of Digital Mystikz, he is not part of the group. Coki does not DJ regularly.

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Nat Baldwin

The simple combination of Baldwin's bass and singing is pure, direct, and timeless. Today, when most of the so-called musical innovators simply offer contemporary takes on already proven and accepted movements in music (neo-psychedelia, nth-wave garage bands...) Portsmouth, New Hampshire's Nat Baldwin is a true original. Baldwin is an upright bass player and a singer, but he takes both of those things to their limit, and has perfected a sound that he can call entirely his own.

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Roly Porter

Industrial-strength drone, art-techno, noise and moody synth experimentation from Roly Porter, formerly of Vex'd. Operating in a similar sphere to the last Subtext drop from Emptyset, Porter mines a rich seam of eerie, corrosive greyscale and moreover heavy, righteously dub-wise electronics, with a warped but careful sense of modern classical composition.

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