low end theory | Musicosity

low end theory

Take

(For the Korean boy band, see 테이크.) There is more than one artist under this name: 1. Based in Los Angeles, Take (Sweatson Klank) is a composer who continues to push the boundaries of instrumental hip-hop music into new directions. After multiple successful EP's under his belt, Take finally unleashed his debut full length player in 2007, Earthtones and Concrete. This music is nothing short of an epic journey with continuously evolving collages that lead the listener down a dust covered road of bit-crushed melodies and molested jazz samples.

Read more about Take on Last.fm.

Artist Type: 

Austin Peralta

Austin Peralta is an American jazz pianist. He was born October 25th, 1990, in Santa Monica, California. His father is famous Z-Boy skater and documentary filmmaker Stacy Peralta. Austin was awarded the Shelly Manne New Talent Award by the Los Angeles Jazz Society and Flip Manne in 2003 at age 11. Austin has played with Adam Rudolph’s Go: Organic Orchestra (on flute), singer Dwight Trible, the Gerald Wilson Orchestra, performed a piano quartet with Chick Corea, Hank Jones, and Hiromi Uehara, as well as appeared at various festivals around the world including the Playboy Jazz Festival...

Artist Type: 

Jneiro Jarel

Jneiro Jarel (born Omar Gilyard) is a Philadelphia-based hip hop producer. Noted for his abstract style, he is also known for his beat-making alias Dr. Who Dat? and his group Shape of Broad Minds, who released both their debut EP and album on Lex Records in the summer of 2007.
Jneiro grew up in Brooklyn, and moved out of the Brownsville section at the age of 5. His mother was in the army, and as a result, he lived in many places (Maryland, Arizona, Georgia, etc.). Finally touching down in Houston, Texas in the mid 80's, where his cousin "DJ Starr" put him on to hip hop at an early age.

Artist Type: 

Shlohmo

L.A. native Henry Laufer, the 21-year-old producer better known as Shlohmo, is a lo-fi beat junkie and field-recording enthusiast, whose crackling, low-BPM compositions update Boards of Canada's filmstrip-soundtrack wooziness. An LA native, Laufer grew up listening to "stuff like DJ Shadow, Amon Tobin, M83 stuff with some sort of cinematic vision." He started making beats when he was 14, but "didn't really do it with any sort of purpose until I was like 17 or 18. That was also around the time he and his friends, already fans of Flying Lotus, discovered Low End Theory.

Artist Type: