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Charles Lloyd

Charles Lloyd (b. March 15, 1938) is an American jazz musician, playing mostly tenor saxophone along with flute and tarogato.
He started his career by playing together with Chico Hamilton and Cannonball Adderley.
In the latter half of the 60s, his own quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette was one of the most popular jazz bands of the time. Their album Forest Flower is one of the best-selling jazz albums ever.
In the 70s Lloyd was mostly retired from music, but came back in the 80s after being persuaded doing so by French pianist Michel Petrucciani.

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Kenny Garrett

Kenny Garrett is a jazz saxophonist. He was born in Detroit, Michigan in 1960. His father was a tenor saxophonist. Kenny's career took off when he joined the Duke Ellington Orchestra in 1978, then led by Duke's son, Mercer Ellington. Three years later he played in the Mel Lewis Orchestra (playing the music of Thad Jones) and also the Dannie Richmond Quartet (focusing on Charles Mingus's music). In 1984 he earned a shot at his first album as a band leader, "Introducing Kenny Garrett". From there, his career has exploded into 11 albums (as a leader) and numerous grammy nominations.

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Jaleel Shaw

Jaleel Shaw, alto saxophonist grew up in Philadelphia, PA, where he was surrounded by a enormous family of jazz musicians that Philadelphia has to offer. He studied with many of the strong jazz educators there, including Rayburn Wright, Robert Landham, and Lovette Hines – who is largely responsible for having nurtured the talents of Bassist Christian McBride, Organist Joey Defrancesco, Drummers Johnathan Blake & Ari Hoenig, Vocalist Bilal, Trumpeter Daud El-Bakara, and keyboardist Kamal of The Roots through his youth ensemble that is still going strong today.

Read more about Jaleel Shaw on Last.fm.

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Michael Rosen

Born in 1963, in Ithaca, New York, Michael has been living and working in Europe, since graduating from Berklee School of Music, where he studied with George Garzone, Bill Peirce and Gary Burton, among others, After an Italian and Swiss tour in 1987 with keyboardist Delmar Brown, he subsequently settled in Italy, where he has been highly successful as both a live and studio musician. During his tenure on the southern european music scene...

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Nicolas Simion Group

Nicolas Simion was born 1959 in Dumbravita, a small village in the Carpathian Mountains of Transylvania. He showed his musical talent very early and was sent to the Brasov Music School at the age of ten. After that he appointed the Music Academy in Bucharest where he completed his classial music studies. During that time he discovered his affection for improvised music and founded his first jazz Band Opus 4 in the early eighties, with pianist Mircea Tiberian and sax player Dan Mandrila. This band soon became the most successful jazz band in Romania.

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James Carter Organ Trio

James (Larry) Carter (born January 3, 1969) is an American jazz musician.

Carter was born in Detroit, Michigan and learned to play there before moving to New York City. He has been prominent as a performer and recording artist on the jazz scene since the mid-1990s, playing saxophones, flute, and bass clarinet. As a young man, he attended Blue Lake Fine Arts Camp and was a member of the group Bird-Trane-Sco-Now.

Read more about James Carter Organ Trio on Last.fm.

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Hans Koller

Hans Koller, one of Europe's most beloved jazz performers and an acclaimed abstract painter, died of pneumonia on Monday, December 21, 2003 in his hometown of Vienna. He was 82 years old. A saxophone prodigy, Koller immediately impressed the faculty of the Vienna Music Academy upon his arrival at the age of 14. Within a few years he was playing professionally in jazz and dance bands. In 1941 Koller was drafted into the Nazi army; he spent most of the war as an American POW, at which time he organized a detention camp band.

Read more about Hans Koller on Last.fm.

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John Surman

Born in Tavistock, Devon in 1944, composer/multi-instrumentalist John Surman is one of the key figures in a generation of European musicians who have crucially expanded the international horizons of jazz during the past thirty years or so. Long acknowledged as an improviser of world class, Surman has also composed a body of work which extends far beyond the normal range of the jazz repertoire. Already, by the late 60s, it was clear that Surman was a phenomenon.

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