She Wants Revenge is a post-punk/darkwave duo hailing from Los Angeles, California who formed in 2005. The band is comprised of Justin Warfield (vocals, guitar, keyboards) and Adam Bravin (bass, keyboards). Accompaniment members Thomas Froggatt (guitar) and Scott Ellis (drums) join them on stage. The band have released three albums: "She Wants Revenge" (2006), "This is Forever" (2007) and "Valleyheart" (2011)
There is more than one artist named Morning Glory: 1) Morning Glory is one of the many bands to spawn from Choking Victim, led by Ezra Crack. They also play ska/punk somewhat like Choking Victim, and members are drawn from the wide pool of punk rock musicians in New York City. In the early days (circa 2001, near the breakup of INDK) Ezra began working on a solo project, but with input and help from many other musicians. With a guitar, an 8-track, and a drum machine, he wrote and produced "This is No Time ta Sleep".
Rachid Taha (Arabic: رشيد طه) (born 1958) is a French-Algerian musician. His music is influenced by many different styles such as rock, techno, and raï. Taha was born in Oran, Algeria. His father was a factory worker. Taha's family immigrated to France in 1968. While working in a heating appliance factory in the late 1970s, Taha founded Les Refoulés ("The Rejects"), a nightclub where he would spin mashups of Arabic pop classics over Led Zeppelin, Bo Diddley, and Kraftwerk backbeats.
BATTANT are Chloé, Tim and Joel. They formed in East London in 2005, and have played alongside Primal Scream, Two Lone Swordsmen, Ladytron, ADULT. and Nitzer Ebb. The sound is guitar tinged tech-electro chopped up with staccato vocals over pop sensibilities. Battant Myspace page
There is more than one artist with this name:
1. An onkyo experimental band from Japan
2. An American electronica/indie rock band from Detroit, Michigan. 1. Filament, consists of former Ground Zero members Otomo Yoshihide and Sachiko M, two of the defining artists of the onkyo music movement. In contrast to the dense, "chopped up", genre-hopping style of Ground Zero, Filament explores minimalist free-improvisation, concerned often with narrow-variations in tone and timbre usually without rhythmic structure or more than the slightest fragments of melody.
noise heathens, bashing out the psychedelic chaos since 1998. Tons of releases on tons of labels from all over the world. Tours all over the U.S. & Canada. Soundtrack to the Center of the Cyclone inside your head. Birth: August 11, 1998
Members: Jason Finkbeiner, John Schoen, Nuuj, Joe Tunis (1998-2005)
There are two artists with this name: 1.) A Hardcore/Progressive/Metal band from South Australia and are currently singed to New Justice Records. Led by Bryn Willcox as vocalist, Russell Stewart and Bryce Goldstone on Guitars, Caleb Fleming on Bass and Alex Pepper on drums. http://www.facebook.com/GraveyardsBand 2.) Graveyards is a free music jam squad led by John Olson of Wolf Eyes and Dead Machines, and the American Tapes label.
Duane Pitre is an American avant-garde composer and performer. His work often focuses on the tensions between electronic sound and acoustic instrumentation, chaos and discipline, as well as site-specificity and performativity. The composer frequently works with long-tones and utilizes alternate tuning schemes that focus on microtonality, enabling him to explore unaccustomed harmonic intervallic relationships.
An easy-listening trip-hopster similar in style and intent to his countrymen Air and Dimitri from Paris, Kid Loco has an even stronger kinship with the long tradition of French pop characterized by Serge Gainsbourg. Otherwise known as Jean-Yves Prieur, he began playing the guitar at the age of 13 and played in several French punk groups during the early '80s. He moved on to production as well by the end of the decade, and moved on to reggae and hip-hop with a band named Mega Reefer Scratch.
Black To Comm is an alias for Dekorder label owner Marc Richter's audio excursions. Richter creates his music using scratchy shellac and vinyl records, field recordings, a so called "kitchen gamelan," and more traditional instruments like organs, guitars, pianos and mbiras. The layering and hypnotic repetition of short loops from Psychedelia, Free Jazz, Vaudeville, and various other old recordings reveals alternative melodic dimensions not apparent in the source material.