acousmatique

Louis Dufort has a bachelor’s degree in electroacoustic composition from the Faculty of Music of the Université de Montréal as well as a master’s degree from the Conservatoire de musique de Montréal, where he received a first prize with distinction. But university studies have not altered his iconoclasm and originality: his passion for electronic music and his love of cinema, painting and contemporary dance lead him to incorporate elements in his composition that are drawn from beyond music. Object, body, color and sound anecdote give rise to plays of perception that envelope the listener.

Pete Stollery is a composer, teacher and performer based in Aberdeen, in the North East of Scotland. He composes almost exclusively in the electroacoustic medium, particularly music where there exists an interplay between the original "meaning" of sounds and sounds existing purely as sound, divorced from their physical origins. In his music, this is achieved by the juxtaposition of real (familiar) and unreal (unfamiliar) sounds to create surreal landscapes. He is also active in music education in schools, both as a researcher and as a creator of resources.

Having developed her very own language, the Swedish sound artist
Hanna Hartman creates compositions that are exclusively made up from authentic sounds which she has recorded around the world. Sounds are taken out of their original context and thus perceived in their purity. Hanna Hartman seeks to reveal hidden correspondences between the most diverse auditive impressions and in new constellations she creates extraordinary worlds of sound.

Read more about Hanna Hartman on Last.fm.

Back in the late '80s, Melbourne's Andrew Curtis and Philip Samartzis collaborated in the aurally volatile project simply called Gum. With little expertise or training, the two gathered up what objects they were familiar with, in particular thrift store turntables and soiled records. Eschewing their original attraction to the giants of Industrial Culture, Gum quickly developed an aesthetic privileging the caustic rupture of skipping records and smoldering surface noise, predating the current avant-turntablist aficionados like Philip Jeck, Janek Schaefer, and Otomo Yoshihide.