Defektro
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Robedoor
Robedoor is the duo of Alex: slime, knives and distortion, and Notnotfun label head honcho Britt on fire, howls and cloaks... Hmmm... but what does all that mean, sonically? Well, precisely what you might imagine. A blackened drone drenched world of slime and knives and fire, dense clouds of distorted howls, a thick cloak of fuzz and buzz wrapped around the proceedings like a thick, well, cloak! Actually this is a lot prettier than you might imagine. That is, if your idea of pretty includes tons of low end and a world of slow motion doomdrone.
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Black To Comm
Black To Comm is an alias for Dekorder label owner Marc Richter's audio excursions. Richter creates his music using scratchy shellac and vinyl records, field recordings, a so called "kitchen gamelan," and more traditional instruments like organs, guitars, pianos and mbiras. The layering and hypnotic repetition of short loops from Psychedelia, Free Jazz, Vaudeville, and various other old recordings reveals alternative melodic dimensions not apparent in the source material.
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Oh No
It was around the age of 11 when making beats won out over video games to become Oh No
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Kevin Drumm
Kevin Drumm is an experimental musician based in Chicago, Illinois, United States. Emerging from the city's improvised music scene, in the 1990s he became one the world's pre-eminent prepared guitar players. Years active from 1991. Drumm's work expanded to include electroacoustic compositions and live electronic music made with laptop computers and analog modular synthesizers. He has collaborated with many artists working in similar fields, including Japanese guitarist Taku Sugimoto, multi-instrumentalist and producer Jim O'Rourke...
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Akio Suzuki
Akio Suzuki (鈴木昭男) is a japanese artist born in North Korean Pyongyang (1941). At the age of four he moved to Japan, to a town called Aichi. During the 60's ,he began his "self-study events"; for four years he worked as a sound researcher, studying the sound qualities of places in nature and architectural spaces. He investigates places by constructing a topography of sound based on the principle of call and echo.
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