Lattice | Musicosity

Lattice

Gareth Hardwick

Based in Nottingham, United Kingdom, Gareth Hardwick creates music that is at once rich and minimalist, dense and subtle. By manipulating the natural tones of his guitar with effects and loops he can deform and reshape the sounds generated by his instrument until you're no longer sure what you're hearing - an organ, a voice, or no recognisable instrument. Between abstract sounds, fragile and delicate melodies reveal themselves to you; finding yourself lost in intricate textures you are suddenly awoken by an absence of structure or sound, of something that one can hold on to.

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William Basinski

William Basinski (Houston, 1958), a New York-based classically-trained clarinetist and saxophonist, specializes in compositions for loops and drones. He began experimenting with compositions for piano and tape that created a melancholy ambience via looped and overdubbed melodies with Variations - A Movement in Chrome Primitive (1980), released on Variations - A Movement in Chrome Primitive (Durtro, 2002 - Die Stadt, 2004), and A Red Score in Tile (1979), released on A Red Score in Tile (3 Poplars, 2003).

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Tom White

Tom White (b. Rutland 1986) is an artist currently based in London.
His work features across various multi-media platforms including sound,
experimental film and video, installation and live performance.

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Taylor Deupree

Technology and imperfection. The raw and the processed. Curator and curated. Solo explorer and gregarious collaborator. The life and work of Taylor Deupree are less a study in contradictions than a portrait of the multidisciplinary artist in a still-young century. Deupree is an accomplished sound artist whose recordings, rich with abstract atmospherics, have appeared on numerous record labels, and well as in site-specific installations at such institutions as the ICC (Tokyo, Japan) and the Yamaguchi Center for Arts and Media (Yamaguchi, Japan).

Read more about Taylor Deupree on Last.fm.

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Marsen Jules

Marsen Jules is one of the aliases for the musical output of Martin Juhls from Dortmund/Germany. As Marsen Jules he concerns himself with compression of atmosphere and emotion in the most abstract sense, based on carefully selected sound fragments and quotations. Maybe one could think of ordinary sampling, but Marsen Jules processes another step further. Neither the sampled sound nor the Instrument itself is centered in his work, actually its the particular moment, where the authenticity...

Read more about Marsen Jules on Last.fm.

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Alessio Ballerini

Alessio Ballerini, sound designer and electroacoustic musician, uses a computer and other devices to create experimental, electroacoustic, minimalist and multi-stratified sounds.
He explores real and imaginary landscapes by using field recordings, guitar, piano and digital composition, so that the sound finds its beauty in the harmonic ambient substrate.
He has been a member of the cinematographic group Postodellefragole since 2004. In 2009, together with Pietro Baldoni, he created Abellira, a production studio for soundtracks, sound locations and sound design for multimedia products.

Read more about Alessio Ballerini on Last.fm.

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Mensa

There are at least two acts with this name. i) Mensa project was born on the spring 2006 when I was studying in Sweden. the project started to have a concrete form after a few months working with the software. The plan was to develop a personal perspective about sound experimentation. The project was conceived with the aim to be showed outdoors. All the sounds that I process are thinked to be listened outside, in public spaces or natural environments.

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Stars of the Lid

Stars of the Lid are a band specializing in -based music. They list among their influences minimalist and electronic composers such as Arvo Pärt, Zbigniew Preisner, Gavin Bryars, and Henryk Górecki, as well as Talk Talk (both bands have tracks named "Taphead"), post-rock artists Labradford, and ambient innovator Brian Eno. Their music largely consists of beatless soundscapes, composed of droning, effects-treated guitars along with piano, strings, and horns; volume swells and feedback fill the gap of rhythmic instruments, providing dynamic movement within the songs.

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