Bare Wires
An onslaught of infectious garage-pop
An onslaught of infectious garage-pop
Zolan Quobble -Voice
Stephen Elwell - Bass
Pete Karkut - Laptop & Percussion
Zolan Quobble is a performance poet in his own right. He was part of Chicken Sidecar.
Stephen Elwell also plays electric drums with Foul Geese and guitar and keyboards with Bert Shaft Orchestra. He used to be the keyboard player in Brain of Morbius.
Pete Karkut uses samples including those made from his own collection of instruments and his own idiosyncratic recordings such as straw blowing in avocado soup and a fly trapped in a plastic bowl. He used to play percussion, keyboards and tapes with Leven Signs.
1. Palace is one of the many names used at one point or another by Will Oldham. Palace came after he named himself Palace Brothers for the first LP, before Palace Music, and a few years before the world knew him as Bonnie 'Prince' Billy. According to Oldham, records released under the "Palace" moniker were usually recorded in the winter time, and feature some of his darkest, most challenging songs. See http://users.bart.nl/%7Eljmeijer/oldham/ for bio, discog, and news.
Ghost Mice is a two-piece folk-punk band that hails from Bloomington, IN. Ghost Mice was created from the ashes of former pop-punk bands The Devil Is Electric and Operation: Cliff Clavin. Chris Johnston (aka Chris Clavin) and Hannah who played guitar and bass respectively for OP:CC and TDIE, decided to make their act acoustic so they could tour more easily and play almost anywhere. In their own words: "We play 100% acoustic. We never use amps or mics (except once at Plan-It-X Fest). We have been playing in bands together for about 7 years.
Leslie Mendelson is a singer/songwriter from New York with influences ranging from Carole King to Laura Nyro. Influenced by her father, a trumpet player and music teacher, Leslie became passionate about music during her early childhood. She starting singing some of her original music with Mother Freedom, a Long Island funk-rock combo with whom she recorded an album. Then, in the Spring of 2002, Leslie relocated to New York City beginning her songwriting career. There, she became a part of Manhattan’s downtown music scene and participated in the New York Songwriters Circle.
There are, at least, two artists known as ceo/CEO. 1. ceo: A pseudonym of Eric Berglund (of The Tough Alliance). Co-founder and owner of Sincerely Yours records based in Göteborg, Sweden.“Come With Me” is the first single from the forthcoming ceo album, White Magic, which comes out late June on Modular. 2. CEO: A pseudonym of Fatir M. Hidayat (aka Frederick Murl Randle & FMH, born 4 Jan 1971, Houston,Texas). The CEO of Enterprise Entertainment Recording Group, (made in 1998), who has produced several mix tapes, video production and albums for Enterprise Entertainment Recording Group.
The Chicago three-piece, known for their enkindling of 60s-style rave ups, The Yolks have released three records thus far: a four-song, self-released 7” EP, “Introducing The Yolks”, a single on Bachelor, and their self titled LP, a split release between their very own Randy Records and Bachelor Records out of Austria.
Colleen Green always wears sunglasses onstage. Colleen Green is long hair and getting high. Colleen Green's first full-length for Hardly Art, Sock it to Me, is grounded in pure pop. Colleen Green's multi-tracked, emotive vocals take an enormous leap forward, evoking all-time heroes such as Rose Melberg and Tina Weymouth, with every drum-machine-tracked song awash in the dreamy slacker romanticism of California.
White Fence's trippy, distortion-laced, psychedelic pop-influenced tunes (sounding, in other words, something along the lines of a warped cassette tape featuring The Left Banke or The Merry-Go-Round) are the brainchild of Timothy Presley (also a member of the like-minded groups Strange Boys and Darker My Love). The project's self-titled debut was released on the Woodsist label in the spring of 2010. For the project's next release, White Fence Is Growing Faith , Presley didn't change much. The January 2011 album follows the same sometimes goofy, always trippily tuneful template of the debut.
One-man-band from Philadelphia combining vibes as varied as Beach House, ELO, Wilco, Beatles...