Jazz Hop | Musicosity

Jazz Hop

Art of Fresh

“Fresh” – a Hip-Hop term used in the late 80’s indicating something new and unique. Growing up in Hip-Hop’s Golden Era, Duane Gibson aka D.O. became of a fan HipHop music in the 80’s always looking for the newest, “freshest” HipHop music. When he became an MC in his twenties, he began working with Byram Joseph aka Slakah the Beatchild. A child of the nineties, Joseph grew up in a different era of HipHop.

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True Live

Melbourne, Victoria, Australia based True Live formed in 2003. They're a unique ensemble that cross boundaries of genre and style while engaging audiences with songs of passion and meaning. With performances and recordings of musical and lyrical depth and a line-up consisting of a three-piece string section (cello, violin, double bass), percussion, keyboards and vocals, the group create a contemporary, organic sound that could only be described as monstrous.

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House Shoes

Detroit Hip-Hop's Ambassador to the World. Michael "HouseShoes" Buchanan has been an integral part of the long burgeoning Motown resurgence. Ask the people coming out of Detroit and they will confirm all of this. Houseshoes, a resident DJ at the Hip-Hop staple St. Andrews Hall from 1994-2004, has had personal influence over (at least) a full generation of emcees, producers, and then-future-DJs. Through House Shoes Recordings he pressed the now classic Jay Dee - Unreleased EP" (1996), Phat Kat

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Billy Cobham

Billy Cobham, born May 16, 1944 in Panama, is one of the world's most influential drummers, best known for his jazz fusion in the 1970s, with John McLaughlin's Mahavishnu Orchestra, where he pioneered a powerful style of drumming with jazz, rock and funk influences. He is the first drummer to unseat Buddy Rich in the Down Beat music polls. Cobham has played and recorded with hundreds of top musicians, including Miles Davis, Freddie Hubbard, Larry Coryell, and Horace Silver; and is famous for his explosive, fast, spectacular playing.

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Dudley Perkins

As a vocal muse for Madlib’s creations, Dudley is unmatched; he’s earned first pick at Madlib’s prized beat collections. Just like Madvillain or Quasimoto, the Dudley/Madlib combination is a facet unto its own – on par with the most illustrious collaboration projects in Madlib’s catalog. His dynamic sophomore effort, entitled Expressions (2012 A.U.), takes an extended detour in the direction of Parliament’s Mothership Connection. The funk is strong this time around – as is the soul music that brought tears to the eyes of Dudley’s and Madlib’s aunts and uncles back in the golden days.

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