PS08 | Musicosity

PS08

Robert Hood

Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. Having recorded for Metroplex, as well as the Austrian Cheap label and Jeff Mills' Axis label, Hood also owns and operates the M-Plant imprint (including the two sub-labels Drama and Duet) through which he has released the bulk of his solo material.
Hood was a founding member, along with Jeff Mills and Mike Banks, of the Underground Resistance label...

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DJ Funk

What words can describe the one and only DJ Funk? Pioneer? Party Rocker? Ghetto House Icon? Let's start at the beginning, DJ Funk grew up on the musically rich West Side of Chicago where he was exposed at an early age to Chicago, New York & Detroit dance music. Developing from his early influences he started DJing out when he was just a teenager at house parties, school dances, and neighborhood clubs; selling mix tapes in the hood with his former crew "do or die" to make ends meet.

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Dr. Octagon

Dr. Octagon is one of Kool Keith's many alter egos. His initial release as Dr. Octagon was 1996's Dr. Octagonecologyst, on which he collaborated with Dan the Automator Nakamura and DJ QBert. After the name was dropped in favour of Dr. Dooom, it was widely believed that it wouldn't be used again until the release of 2006's The Return of Dr. Octagon, which Keith maintains was changed and released without his consent.

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Pissed Jeans

Pissed Jeans are a rock band from Allentown, PA. The sound of their music is a combination of sludgy bands from the early Eighties like Flipper and My War-era Black Flag and the noise assault of The Jesus Lizard. Their discography includes Throbbing Organ 7" (Parts Unknown), Shallow LP/CD (Parts Unknown), Don't Need Smoke to Make Myself Disappear 7" (Sub Pop), Hope For Men LP/CD (Sub Pop), King of Jeans LP/CD (Sub Pop), and their February 2013 release Honeys (Sub Pop).

Read more about Pissed Jeans on Last.fm.

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Thomas Brinkmann

Thomas Brinkmann (born 1959) is a highly regarded German producer of experimental music. Although experimenting with records since the early eighties, he gained wide reputation with his re-workings of material by fellow artists Mike Ink and Richie Hawtin released in the second half of the 90s. These productions were made by playing physically modified vinyl records on highly customized turntables with an additional tone arm.

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