It was around the age of 11 when making beats won out over video games to become Oh No
Subtle is a music group consisting of artists, producers, rappers, instrumentalists Adam 'Doseone' Drucker, Jeff 'Jel' Logan, Dax Pierson, Marty Dowers, Jordan Dalrymple and Alexander Kort. Although both Adam and Jeff are founding and continuing members of the Anticon music collective, Subtle is not on the Anticon roster. Subtle started as an Oakland, California based band in 2001. While considered by the artists to be "genreless", Subtle has close ties to the hip-hop and indie music scene. Alexander Kort has released CDs on anticon's official web store run by astropitch.
Stefan Bruinsma (17-08-1982), a.k.a. Number 9, was born and raised in the north of the Netherlands in a city called Groningen. At the age of 9 he discovered music was his passion, and he took his first piano lessons shortly followed by his first guitar lessons. After developing as a musician he encountered people that shared his vision on making music and performing on stage. At the age of 18 he chose the Rockacademy in Tilburg to develop as an artist and entrepreneur in the music industry. Up till now his life resulted in the following music projects:
Dr. Octagon is one of Kool Keith's many alter egos. His initial release as Dr. Octagon was 1996's Dr. Octagonecologyst, on which he collaborated with Dan the Automator Nakamura and DJ QBert. After the name was dropped in favour of Dr. Dooom, it was widely believed that it wouldn't be used again until the release of 2006's The Return of Dr. Octagon, which Keith maintains was changed and released without his consent.
Aesop Rock (born Ian Bavitz on June 5, 1976) is an alternative hip hop artist/producer from Northport, New York, United States. He has released six albums: "Music for Earthworms" (1997), "Float" (1999), "Labor Days" (2001), "Bazooka Tooth" (2003), "None Shall Pass" (2007 ) and "Skelethon" (2012). He is also a member of the groups Hail Mary Mallon, The Weathermen and Two of Every Animal.
Dabrye (pronounced “DAB-ree”) is just one alias of Ghostly artist Tadd Mullinix, who explores hip-hop with head-nodding beats and saw-tooth bass lines, with a keen eye to forward-thinking production and rhythms. Dabrye has earned considerable praise from both the hip-hop underground (Jay Dee, Jurassic 5) and the electronic music press, earning him a Next 100 mention from URB in 2002 and praise from publications as diverse as Rolling Stone to The Wire.
Born and raised in Southern California, SwizZz is not your stereotypical MC. Through his music, SwizZz reveals a wide range of experiences, much of which he credits to his biracial background. He is not, nor does he claim to be, a
Deltron 3030 is a USA hip-hop supergroup, formed in 1999, around a core of: producer Dan Nakamura (aka Dan the Automator and the cantankerous Captain Aptos), rapper Teren Delvon Jones (aka Del Tha Funkee Homosapien and Deltron Zero) and DJ Eric San (aka Kid Koala and Skiznod the Boy Wonder), with many other artists, e.g. Damon Albarn, Sean Lennon and Paul Huston (aka Prince Paul) - all taking on various futuristic pseudonyms, like MC Paul Barman (aka Cleofis Randolph the Patriarch).
Del the Funky Homosapien is an alternative hip-hop artist. Del was born Teren Delvon Jones, August 12, 1972, in Oakland, California. Del was part of his cousin Ice Cube’s backing band Da Lench Mob and made his first solo album, I Wish My Brother George Was Here, with support from his cousin in 1991. Critics and fans had mixed opinions about the album, many feeling that Del’s and Cube’s styles weren't an ideal match.
An original member of New York's new-school pioneers the Ultramagnetic MC's, "Kool" Keith Thornton is best known as a solo rapper. His signature style is stream-of-consciousness lyrical flow and complex vocals, two skills that earn him a perennial nod from the underground hip-hop community. The average Kool Keith album is peppered with bizarre, disjointed, even delusional or disassociated themes, concepts, and references. Nearly all of his albums incorporate a satirical dislike for more commercialized strains of hip-hop, as well as major record labels.