1. Palace is one of the many names used at one point or another by Will Oldham. Palace came after he named himself Palace Brothers for the first LP, before Palace Music, and a few years before the world knew him as Bonnie 'Prince' Billy. According to Oldham, records released under the "Palace" moniker were usually recorded in the winter time, and feature some of his darkest, most challenging songs. See http://users.bart.nl/%7Eljmeijer/oldham/ for bio, discog, and news.
There are at least four artists named Chris Lee: 1) A Christian R&B singer.
2) Kristoffer Lie, better known by his artist name Chris Lee, is a Norwegian Hip Hop-artist.
3) Chris "C.P." Lee is a musician form Salford, UK. He was a member of Alberto Y Lost Trio Paranoias and Gerry And The Holograms.
4 ) Chris Lee is a singer-songwriter hailing from Charlotte, North Carolina. 1) A Christian R&B singer. In one year, singer Chris Lee has seen his career take a massive turn for the best in 2010.
Keb' Mo' (born October 3, 1951 in South Los Angeles, California as Kevin Moore) is an American blues singer, guitarist, and songwriter. He first started recording in the early 1970s with Jefferson Airplane violinist Papa John Creach. Creach hired him when Moore was just twenty-one years old; Moore appeared on four of Creach's albums. He was further immersed in the blues with his long stint in the Whodunit Band, headed by Bobby "Blue" Bland producer Monk Higgins. Moore jammed with Albert Collins and Big Joe Turner.
There are two bands with the name Galaxie 500:
1) an American alternative rock band that formed in 1987 and split in 1991
2) a francophone indie garage rock formed in 2002 in Montreal, Canada, and now known as Galaxie 1) Galaxie 500 formed in Boston, MA in 1986 and comprised vocalist/guitarist Dean Wareham (a transplanted New Zealand native), bassist Naomi Yang and drummer Damon Krukowski, longtime friends who first met in high school in New York City before all three attended Harvard University.
Now that his work with The Orb has earned him a place in electronic music history, Fehlmann is afforded the artistic license to transcend all previous boundaries. His musicality and experimentalist drive converge with exceptional grace and system-bumpin' appeal. Granular hip-hop grooves and exotic chord structures interface with bold, synthetic finesse, while his housier inner child locks down some precision dance-floor cuts immersed in fluidly manipulated filtration.
Sun Kil Moon is the current project of singer-songwriter Mark Kozelek, best known for his previous band, Red House Painters. Sun Kil Moon sees Kozelek undertake all the writing, composing, singing and guitar playing accompanied by Tim Mooney and Anthony Koutsos (also an ex-member of RHP) on drums, and Geoff Stanfield on bass. The band is named after korean bantamweight boxer Moon Sung-Kil. Their debut album, Ghosts of the Great Highway, was written entirely by Kozelek, and released by Jetset Records in 2003.
Concrete Blonde is an alternative rock band dating from the early 1980s to the early 1990s (and re-formed again in the 2000s). They are best known for the poignant songwriting and vocals of Johnette Napolitano. Singer / songwriter / bassist Napolitano formed the band Dream 6 with guitarist James Mankey in Los Angeles in 1982, releasing an eponymous EP in France on the Happy Hermit label in 1983. When they signed with IRS in 1986, labelmate Michael Stipe suggested the name Concrete Blonde, describing the contrast between their hard rock music and introspective lyrics.
The Be Good Tanyas are an acoustic trio with folk and americana influences, hailing from Vancouver, British Columbia. They play a combination of original and traditional material, and are notable for their lush vocal harmonies. The group features Frazey Ford (guitar, vocals), Samantha Parton (guitar, mandolin, banjo, vocals) and Trish Klein (electric guitar, banjo, harmony vocals). Jolie Holland is a former member and also a frequent guest.
Canadian sound artist Mark Templeton utilizes acoustic instruments, found sounds and sampled material to construct textured, collage-like electronic compositions. Since the release of his critically acclaimed
Technology and imperfection. The raw and the processed. Curator and curated. Solo explorer and gregarious collaborator. The life and work of Taylor Deupree are less a study in contradictions than a portrait of the multidisciplinary artist in a still-young century. Deupree is an accomplished sound artist whose recordings, rich with abstract atmospherics, have appeared on numerous record labels, and well as in site-specific installations at such institutions as the ICC (Tokyo, Japan) and the Yamaguchi Center for Arts and Media (Yamaguchi, Japan).