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Arto Lindsay

Arto Lindsay (born May 28, 1953, Richmond, Virginia) is an American , , record and . He's probably best known as a founding member of the influential band DNA, though his work after DNA has been quite prolific. He has a distinctive soft voice and an often noisy, self-taught guitar style comprised almost entirely of extended techniques, described by Brian Olewnick "studiedly naïve ... sounding like the bastard child of Derek Bailey"; his guitar work is contrasted frequently with gentler, sensuous Brazilian music themes.

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Thomas Brinkmann

Thomas Brinkmann (born 1959) is a highly regarded German producer of experimental music. Although experimenting with records since the early eighties, he gained wide reputation with his re-workings of material by fellow artists Mike Ink and Richie Hawtin released in the second half of the 90s. These productions were made by playing physically modified vinyl records on highly customized turntables with an additional tone arm.

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Jan Jelinek

Jan Jelinek (whose monikers include Gramm, for Source Records, and Farben), is a Berlin-based producer of electronic music drawing influences from jazz, dub, funk, soul, and house. Prior to releasing on the ~Scape label under his own name, he had put out albums as Farben (for Klang Elektronik). On 2001's Loop-Finding-Jazz-Records, Jelinek manipulates fragments of sound from old jazz recordings, transforming them beyond recognition into completely new pieces of music. On la nouvelle pauvrete, he joins forces with the imaginary band The Exposures, which he himself fabricated.

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ESG

Since their inception, ESG has affected post-punk, no wave, dance-punk, hip-hop, and various styles of dance music such as house. They fell in with the late '70s and early '80s NYC no wave and post-punk scene, they had their music sampled countless times, and they became a playlist staple at '70s and early '80s dance clubs like the Paradise Garage and the Music Box. ESG (Emerald, Sapphire and Gold) formed in 1978 in the South Bronx.

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