noise pop | Musicosity

noise pop

The Manhattan Love Suicides

For anyone who loves fuzzed up guitar assaults, feedback, hit and run 10 minute gigs, female vocals, melodic pop, ear splitting minimalist noise... and hates a hell of a lot of other things - we give you The Manhattan Love Suicides... Dress it in black ! The band formed in 2006 in Leeds, United Kingdom.

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Surf City

Surf City first came in to existence when bored friends Davin Stoddard and Josh Kennedy met at a party in Mt Roskill, Auckland, New Zealand in 2004. Tired of the heavy avant-garde music that was prolific at the time Stoddard and Kennedy teamed up with Josh

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Sisters

There are at least eight bands called Sisters: 1) Sisters is a guitar/vocal and drums two piece out of the Death by Audio music collective in Brooklyn. Matt Conboy is the drummer, keyboard player. Aaron Pfannebecker sings and plays guitars. Sisters is the best of your 90’s rock pop collection with garage fallout. Noisy guitars with melody and screeching beautiful vocals over the hardest hitting drums. Crooked guitar sounds creating fragmented pop songs. --- www.myspace.com/sisterssound

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The Stopouts

The Stopouts were formed in 2006 after Al and Dejan saw ska legends The Toasters play a gig in a total dive on a scummy industrial estate near Liverpool, supported by pathetic ‘chaos’ and ‘rape’ metal bands. They decided a ska revival was needed on Merseyside to counter the prevailing influence of dire metal bands and arsehole indie wannabes. Recruiting Rob on drums, they started playing a few covers, before quickly moving to original material with the arrival of vocalist Tom and Anna on saxophone.

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Cable

There are at least three artists which use this name
1. A noisecore / sludge band from the United States
2. An alternative rock band from the United Kingdom
3. A drum and bass producer 1) Cable is an American band formed in 1994 in Rockville, CT. Though they have changed their style over the years, Cable was originally part of the first wave of bands playing in the so-called style (as it later became known), combining a / aesthetic with a rhythmically complex, often discordant metal-influenced musical approach.

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