Luca Nasciuti is a London based composer trained in electroacoustic composition, classical music, visual and performing arts. His work spans from installation, to video and performance art, focusing on the legacy between acoustic and electroacoustic sound, and the interplay of sonic and visual practices within site-specific contexts.
Natasha Barrett (1972, UK) is a composer and performer of electroacoustic art music. Her compositional aesthetics are derived from acousmatic issues, but in addition to acousmatic composition she composes for instruments and live electronics, sound installations, multi-media works and computer music improvisation. She currently lives in Norway. Natasha Barrett began working seriously with electroacoustic composition during a master's degree in analysis and electroacoustic composition, studying with Jonty Harrison at the University of Birmingham (UK).
YASUNAO TONE (刀根康尚) was one of the first Japanese artists active in composing "events" and improvisational music. He has been active in the Fluxus movement since 1962 and has also been an organizer and participant in many important music and performance groups such as Group Ongaku, Hi-Red Center, Team Random (the first computer art group organized in Japan). Primarily a composer, Tone has worked in many media, creating pieces for electronics, computer systems, film, radio and television, as well as environmental art.
Robedoor is the duo of Alex: slime, knives and distortion, and Notnotfun label head honcho Britt on fire, howls and cloaks... Hmmm... but what does all that mean, sonically? Well, precisely what you might imagine. A blackened drone drenched world of slime and knives and fire, dense clouds of distorted howls, a thick cloak of fuzz and buzz wrapped around the proceedings like a thick, well, cloak! Actually this is a lot prettier than you might imagine. That is, if your idea of pretty includes tons of low end and a world of slow motion doomdrone.
Toshi Ichiyanagi (一柳慧 Ichiyanagi Toshi, born 4 February 1933, Kobe, Japan) is a Japanese composer of avant-garde music. One of his most notable works is the 1960 composition, Kaiki, which combined Japanese instruments, sho and koto, and western instruments, harmonica and saxophone. Another work Distance (1961) requires the performers to play from a distance of three meters from their instruments. Anima 7 (1964) states that chosen action should be performed "as slowly as possible."
There are at least 6 bands / projects named Sleepers: 1. Sleepers is the recording and performance project of Silas Ciarán and Amanda Boutourline. It began as a solo outlet for Ciarán in early 2004, and was at this time geared towards Black and Doom Metal with flecks of ambient. It is now a full fledged crossover project, incorporating many different sources into one heap of sound. 2. Sleepers was a progressive new wave rock band from Gold Coast, Australia. They have changed their name to Awaken I Am.
Luc Ferrari (February 5, 1929 – August 22, 2005) was a French composer, particularly noted for his tape music. Ferrari was born in Paris and studied the piano under Alfred Cortot, musical analysis under Olivier Messiaen and composition under Arthur Honegger. His first works were freely atonal. In 1954, Ferrari went to the United States to meet Edgard Varèse, whose Déserts he had heard on the radio, and had impressed him. This seems to have had a great effect on him, with the tape part in Déserts serving as inspiration for Ferrari to use magnetic tape in his own music.
After playing drums for ten years in punk and metal bands, Stuart Bowditch got fed up of getting spat on and lugging flight cases around and invested in a laptop and some software to make some electronic music. Always interested in the sounds around him he'd go out and record environments, places, foundsounds and household objects with a mic and a mini disc recorder. These sounds found their way into his music and with his keen sense of rhythm, they build up intricate layers of sounds that you might recognise, but cannot place.
Pete Stollery is a composer, teacher and performer based in Aberdeen, in the North East of Scotland. He composes almost exclusively in the electroacoustic medium, particularly music where there exists an interplay between the original "meaning" of sounds and sounds existing purely as sound, divorced from their physical origins. In his music, this is achieved by the juxtaposition of real (familiar) and unreal (unfamiliar) sounds to create surreal landscapes. He is also active in music education in schools, both as a researcher and as a creator of resources.