folktronica | Musicosity

Sin Fang

It's been only 3 years since Iceland's new king of lo-fi layered lushness, Sindri Már Sigfússon, began his official recording career. “Summer Echoes”, the new and second album of his solo-project Sin Fang (he dropped the “Bous”) is now already his 4th album release (including 2 records of his other musical outlet Seabear) since 2007. The album oscillates wildly unearthing glimpses of familiarity - vintage Flying Nun here, Paw Tracks there and a Belle and Sebastian pop nous - while retaining the own stark originality of this uber-talented artist and producer.

Floex

Tomáš Dvořák (*78) aka Floex - clarinetist, composer, producer and multimedia artist from Prague (Czech Republic). While Tomáš solo works are released under his Floex moniker, the soundtracks are released under his own name Tomáš Dvořák. From childhood he has been learning clarinet which later becomes the key instrument for his music - not only as "instrumental signature" but also as way of his compositional approach.

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United Bible Studies

United Bible Studies is an experimental and improvisational folk band from Ireland. There are a few core members, and a host of incidental contributors on both the live performances and regular albums. United Bible Studies is part of the Deserted Village music collective.

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Stillman

After the split of his band in the post-Britpop years, Chaz Craik (aka Stillman) took a lengthy detour into producing, engineering and session work. In 2005 he returned to his songwriting roots and self-released The Weightless EP achieving critical acclaim and a record deal. His first album 'People Like a Happy Ending' went on to win 'Best Album' at The Glasswerk New Music Awards 2007. This April he returns with a new album 'Blood Dark Sea' described as 'a layered and sinewy mixture of Elliott Smith, Pink Floyd, The Byrds' and has already received glowing reviews -

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Joker's Daughter

Joker’s Daughter is a project featuring vocalist, songwriter and multi-instrumentalist Helena Costas. This fresh folk-pop excursion reveals new facets of the renowned artist and producer Danger Mouse, who collaborates with Costas throughout. Born in London but Greek Cypriot by origin, Helena Costas studied violin from ages 7 to 13, then taught herself guitar and keyboards. As she became an adult, her mission came into focus. She wrote songs relentlessly, learned the art of production, and gained confidence as a performer as she played gigs around London.

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Emily Wells

Emily Wells creates music by blending her many influences. She is a classically trained violinist with a penchant for hip hop production. Live, Wells creates a lush layer of "symphonies" by looping and live sampling everything from her violin and voice, to her many toys and electronics. She performs both solo, and as a trio with drummer Sam Halterman and bassist Joey Reina, who also appear on her records.

ill.gates

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nu-bluz funky grooves in the e-lounge

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Cuushe

Cuushe, who is greatly inspired by music like Board of Canada, L’altra, started out her musical career as a member in a collage pop band, and eventually ventured into solo-project works in 2003. Using her mesmerizing airy vocals as the main instrument, Cuushe composes pop-infused electronic music that is lovable and yet uniquely different from any other song-based pop sounds out there. Together with the delicate lyrics penned by her, the multi-talented cuushe beautifully projects a subtle musical world that is carefully wrapped with sensitive emotion and fragile memories.

Qua

Qua is Melbourne based Cornel Wilczek who started the project in 2001. It started with an invite to play with Pretty Boy Crossover in Melbourne, Australia. From the pressure of sorting out a live set .. and finishing songs, something became apparent - the songs actually worked. Over the next year of live performances the album "Forgetabout" was formed and eventually released in August 2002. The next 2 years saw Qua becoming a regular in the Australian live scene.

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High Places

High Places began as an experiment in collaboration: two people with diverse artistic backgrounds coming together to merge their skills, aesthetic tastes, and music-making approaches. Robert Barber grew up listening to punk and hardcore, and Mary Pearson studied bassoon performance, but both gravitated toward a DIY compositional style and a love of layers. It is the affinity for layering that has thus far defined the duo, both in ideas and instrumentation.

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