jazz-funk | Musicosity

Reel People

When ambitious young record store manager Oli Lazarus initiated his Reel People project back in 2000 he could only have dreamt of where those first tentative steps would lead him. Having immersed himself in the soulful house sounds of specialist record store Flying for the previous three years, Oli Lazurus had begun to feel that the musical education he had gained in-store was complete and that his tenure atthe shop was drawing to a natural end.

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Boca 45

Boca 45 is DJ and producer Scott Hendy, from Bristol, UK. Since 2004 he has been signed to the independent record label, Grand Central Records. Prior to this, he released material on Hombré Recordings, Illicit Records, Superslick Stereo Sounds and High Noon Records. The name is derived from the Argentinean football team Boca Juniors, and a common name for a 7" single (so called because of the speed, in revolutions per minute, that a record of this size plays at).

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Greg Osby

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups of the past 20 years. Notable for his insightful and innovative approach to composition and performance of original jazz music, Osby is a shining beacon among the current generation of jazz musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live performances.

Chris Bowden

Chris Bowden is a British alto saxophonist, composer and arranger, working across a variety of genres from acoustic jazz to hip hop and drum and bass. As well as his solo releases he has contributed to music by 4hero, The Herbaliser and The Heritage Orchestra among others. He is currently active with The Tomorrow Band and Scorched Earth. Originally from Birmingham, UK, he began his professional career with The K-Creative in the early 90s acid jazz boom, and also worked with Palm Skin Productions, Jessica Lauren and Jhelisa Anderson.

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Sun Ra

Sun Ra (1914

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Experimental Big Band

this group only exists to have the best eclectic radio ever - period - would like more of this

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OPIUO

Imagine a precisely blended concoction of tight irresistible grooves, chunk fueled bouncy beats, luscious brooding soundscapes, and a bowl of scrumptious glitch. Welcome to the musical world of Opiuo. A self confessed music addict with a light hearted approach to life and art. Opiuo is at his best whilst hiding from the world, creating fun fueled music. Influences coming from everything, from life changing experiences, to mere cups of tea. Incorporating sounds as varied as jazz, reggae, funk, rock, psychedelia, and down right chunky goodness.

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Oli Silk

Oli Silk plays some nice mellow lines, somewhat like Bob James of Fourplay, although with more prominent orchestration. His melodies are very catchy and engaging. Although not strictly a minimalist he utilizes a sparse approach to make an excellent musical statement.

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Dave Grusin

David Grusin (born June 26, 1934 in Littleton, Colorado) is a jazz pianist, composer, and arranger whose works in films and TV have garnered him numerous awards. Grusin has a filmography of about 100 credits with many awards including an Oscar for best original score for The Milagro Beanfield War, as well as Oscar nominations for The Champ, The Fabulous Baker Boys, The Firm, Havana, Heaven Can Wait, and On Golden Pond.

The Hot 8 Brass Band

The Hot 8 Brass Band is a New Orleans based brass band that blends hip-hop, jazz and funk styles with a traditional New Orleans brass sounds. It was formed in 1995 by tubist Bennie "Big Peter" Pete, merging two earlier bands, the Looney Tunes Brass Band and the High Steppers Brass Band. In the wake of Hurricane Katrina, the Hot 8 Brass Band was propelled to wider prominence by an appearance in Spike Lee's 2006 documentary When the Levees Broke: A Requiem in Four Acts.

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Chuck Loeb

Chuck Loeb is a skillful guitarist capable of numerous styles of music, most notably jazz. Loeb's own solo projects have generally been commercially successful crossover jazz, which has "contemporary" or "smooth" jazz. He started playing guitar when he was 11, discovered jazz when he was 16, took lessons from Jim Hall, Pat Metheny and Joe Puma, and attended the Berklee College of Music. Loeb freelanced in New York (with Hubert Laws, Chico Hamilton, Joe Farrell among others) and then in 1979 joined Stan Getz's group for two years.