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Psychic Ills

Psychic Ills is a group that became active in NYC sometime during 2003. Their sound has included a combination of rock experimentation, drones, electronic textures, and various ethnic influences. Their live shows have varied widely and have been known to have an improvised performance art element as well. The current line up consists of Elizabeth Hart, Brian Tamborello, and Tres Warren. Their 2nd album "Mirror Eye", is set to be released on January 20th of 2009 on The Social Registry label.

Read more about Psychic Ills on Last.fm.

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Bruno Sanfilippo

Bruno Sanfilippo is a classically trained musician and composer who has been creating music for more than 20 years. His focus alternates between the exploration of concepts, and hybrids of and acoustic music."His gift for picture music is the common thread running through it, his earlier works sounding more like music and his later works moving into more realms, though still with a strong sense of imagery" Te is obsessed with the search for new and unique qualities in music - the amazing, the magical and the deep.

Read more about Bruno Sanfilippo on Last.fm.

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Aranis

Aranis is a Flemish quintet, playing music across the borders of classical, folk and (post)rock. They have released four full albums: Aranis (2005), Aranis (2007), Songs From Mirage (2009) and RoqueForte (2010). Depending on the project Aranis is working on, they call upon guest musicians to complete the sound. Aranis:
Liesbeth Lambrecht: violin
Marjolein Cools: accordion
Stijn Denys: guitar
Jana Arns: transverse flute
Joris Vanvinckenroye: contrabass & composition

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Disembowelment

1) diSEMBOWELMENT was an Australian death/doom metal band from Melbourne that was formed in 1989 after the two piece grind band Bacteria featuring drummer Paul Mazziotta and guitarist/vocalist Renato Gallina changed its name and musical style. With Dean Ruprich from Necrotomy providing bass, the band released its first demo, "Mourning September" in 1990. The band played very slowly (and occasionally with great speed), and relied equally on the atmospheric effects of droning guitars and constant riffing.

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