Coffins are a Japanese death-doom metal band, formed in 1996 by guitarist and vocalist Uchino. Having gone through several lineup changes in the past, they now consist of Uchino, Ryo (drums) and Koreeda (bass). Their sound is influenced by old school '80s and '90s doom metal, death metal and thrash metal. After several demos they released their 1st full-length album "Mortuary In Darkness" in 2005.
Atavist are a sludge/drone from Manchester, England. Atavist is the sound of every conceivable negative emotion channelled through the medium of cranium- crushing doomed despair. Ungodly vocals are pitched against unholy foul sludge with bass levels tailored specifically for maximum bowel demolishing discomfort.
"If the doom metal of Khanate is the ideal soundtrack to the 21st Century Odinists' hanging upon the tree of Yggdrasil, then the vegetal music of Slomo is the unfolding, nurturing, ever-becoming ur-ooze that titanically irrigates the roots of that sacred tree." JULIAN COPE
Blackwater may refer to at least 3 artists:
1) a French group of Celtic music caracterized for its energic sound and accurate control over the instruments. See http://www.lesonotone.com/blackwater/ and http://www.myspace.com/blackwateririshconnection. 2) a deathmetal band from the cold north. Inspired by bands like Kataklysm, Hate Eternal, Bloodbath, Behemoth etc... 3) A London-based classic rock band comprising Tommy Balaam (vocals/guitar), George McKenzie (Guitar), Rory Murphy (Vocals/bass) and Bryce Dunn (Drums).
d.USK is the now the final embodiment to the life of Disembowelment. Conceived in early 2010, the d.USK entity was the chance to finally realize the sonic palette that was diSEMBOWELMENT, and allow us to present the music to the underground in a truly live context. As a result, this project encapsulates the classic, brooding,sombre brutality of diSEMBOWELMENT, and brings with it the antecedents of classic Trial of The Bow ambience and atmosphere.
Not happy. Slowcore influenced drone.
http://about.me/AUNandAUN
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Labels:Denovali, Cyclic Law ++ Montréal, Canada (2007 – present) A U N are a shape shifting Montreal based band, that melt the boundaries between psychedelic, electronic, ambient, industrial and doom music. AUN have performed at such diverse festivals as: Mutek, Roadburn, Wave Gothic, Victoriaville, Swingfest, while releasing numerous praised albums with such labels as Alien8 Recordings, Important, Cyclic Law, Oral and now with german experimental label Denovali.
There are at least two bands by the name Tombstones. See also: The Tombstones. 1) A doom metal/stoner rock band from Oslo, Norway.
2) A death metal band from the US. 1) Tombstones consist of three men from the darkest of woods in eastern Norway. Based in Oslo, music has been played since 2006. Their new album, Year of the Burial, redefines their formula of down-tuned heaviness. Their doom is darker, filthier, heavier and more consistent. The sinister approach of Year of the Burial sends shivers of cold down your spine, and takes you back to the evil priests of ancient times.
Ghostly is an extreme drone/industrial metal project led by Deaemae. The project is drum machine driven band that relies on repetative guitar riffs or droning noise with usually deep death metal-style grunts to high pitch black metal screeches. The project has a primitive sound that Deaemae purposely tries achieving to create a "dark atmosphere." Initially, the project started off as a project that would play pure death metal with doom metal touches. Eventually, the project took a change incorporating more industrial tones to the music than actual death metal.
1) diSEMBOWELMENT was an Australian death/doom metal band from Melbourne that was formed in 1989 after the two piece grind band Bacteria featuring drummer Paul Mazziotta and guitarist/vocalist Renato Gallina changed its name and musical style. With Dean Ruprich from Necrotomy providing bass, the band released its first demo, "Mourning September" in 1990. The band played very slowly (and occasionally with great speed), and relied equally on the atmospheric effects of droning guitars and constant riffing.