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music to fall asleep to

Stars of the Lid

Stars of the Lid are a band specializing in -based music. They list among their influences minimalist and electronic composers such as Arvo Pärt, Zbigniew Preisner, Gavin Bryars, and Henryk Górecki, as well as Talk Talk (both bands have tracks named "Taphead"), post-rock artists Labradford, and ambient innovator Brian Eno. Their music largely consists of beatless soundscapes, composed of droning, effects-treated guitars along with piano, strings, and horns; volume swells and feedback fill the gap of rhythmic instruments, providing dynamic movement within the songs.

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Slowdive

Slowdive is a / band that formed in 1989 in Reading, England, United Kingdom. Signed to Creation Records in 1990 and initially championed by the British music press, the band scored a UK top forty entry with their debut album Just for a Day. The band consists of Rachel Goswell (vocals/guitar), Neil Halstead (vocals/guitar), Nick Chaplin (bass), Christian Savill (guitar), and Simon Scott (drums, 1990-1994, 2014-present); additionally, Ian McCutcheon replaced Scott from 1994-1995. Goswell and Halstead had known each other since early childhood in Reading, Berkshire.

Read more about Slowdive on Last.fm.

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William Basinski

William Basinski (Houston, 1958), a New York-based classically-trained clarinetist and saxophonist, specializes in compositions for loops and drones. He began experimenting with compositions for piano and tape that created a melancholy ambience via looped and overdubbed melodies with Variations - A Movement in Chrome Primitive (1980), released on Variations - A Movement in Chrome Primitive (Durtro, 2002 - Die Stadt, 2004), and A Red Score in Tile (1979), released on A Red Score in Tile (3 Poplars, 2003).

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Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (b. 3 February 1525 – 2 February 1526; d. 2 February 1594) was an Italian Renaissance composer and the most well-known 16th-century representative of the Roman School of musical composition. Palestrina became famous through his output of sacred music. He had an enormous influence on the development of Roman Catholic church music, and his work has often been seen as the culmination of Renaissance polyphony.

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