Night Music | Musicosity

Night Music

Phoebe Killdeer and the Short Straws

At a young age Phoebe Killdeer wanted to write and create her own music, she was already listening to what would become her main influences: Tom Waits, Art of Noise, Yma Sumac, Nick Cave, Carmen McRae… «I have a fascination with words and lyrics, the way they are such obvious simple things and yet they come alive with complexity and full with feeling depending on the way you place them and with which tone you pronounce or accentuate them.

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Ronin

RONIN is the name of multiple musical acts. 1.) Ronin aka Jonathan Axelsson was born in Sweden, and got in touch with music very early in life since both his father and grandfather were musicians. As a young boy he started playing drums, and then continued with piano lessons. In the mid 90's he discovered a new type of music that would change his life forever. The music he heard was called deep house, and struck Jonathan's heart immediately. He now started to produce music in a more serious matter and in 1997 he got in touch with Johan Bacto, which later formed the label PlackTown Sounds.

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Bohren & der Club of Gore

Bohren & der Club of Gore are a band founded in 1992 in Mülheim an der Ruhr, Germany by Thorsten Benning (drums), Morten Gass (keys), Reiner Henseleit (guitar), and Robin Rodenberg (upright / double bass). They play a crossover of and , which they self described as an "unholy ambient mixture of ballads, Black Sabbath and down tuned Autopsy sounds". Over the years they have continously reduced and compressed their music to extremes.

Read more about Bohren & der Club of Gore on Last.fm.

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Stars of the Lid

Stars of the Lid are a band specializing in -based music. They list among their influences minimalist and electronic composers such as Arvo Pärt, Zbigniew Preisner, Gavin Bryars, and Henryk Górecki, as well as Talk Talk (both bands have tracks named "Taphead"), post-rock artists Labradford, and ambient innovator Brian Eno. Their music largely consists of beatless soundscapes, composed of droning, effects-treated guitars along with piano, strings, and horns; volume swells and feedback fill the gap of rhythmic instruments, providing dynamic movement within the songs.

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Remote

Following the success of Chloé’s The Waiting Room, the label Kill The DJ continues to redefine a certain idea of electro music with the long-awaited release of the first album by REMOTE, aka Seb Fouble & Eric Guillanton. 2000-2003: the post-French touch period, everybody is on the look out for something new, and that something new is somewhere out there on vinyl. Seb & Eric release their first maxi as Joe Zas & Co. on Pamplemousse. Then another, this a really important record, a witness to its time: Astroglide, considered as one of the best maxis in 2003 by the press and DJs alike.

Read more about Remote on Last.fm.

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