Modest Petrovich Mussorgsky
Modest Petrovich Mussorgsky (Russian: ??????? ????????? ???????????, Modest Petrovi? Musorgskij), also Modeste, Moussorgsky (and see also ?????? ???????? ??????????) (March 9/21, 1839
Modest Petrovich Mussorgsky (Russian: ??????? ????????? ???????????, Modest Petrovi? Musorgskij), also Modeste, Moussorgsky (and see also ?????? ???????? ??????????) (March 9/21, 1839
Claudio Monteverdi ("Green Mountain") (Cremona May 15, 1567 – November 29, 1643) was an Italian composer, violinist and singer. His work marks the transition from Renaissance to Baroque music. During his long life he produced work that can be classified in both categories, and he was one of the most significant revolutionaries that brought about the change in style. Monteverdi wrote the earliest dramatically viable opera, Orfeo, and was fortunate enough to enjoy fame during his lifetime.
Orlando Gibbons (1583-1625), English composer and organist of the late Tudor and early Jacobean periods, a leading composer in the England of his day. Born in Oxford, between 1596 and 1598 he sang in the choir of King's College, Cambridge, then he entered the university in 1598 and achieved the degree of Bachelor of Music in 1606. James I appointed him a Gentleman of the Chapel Royal, where he served as an organist from at least 1615 until his death. In 1625 he became senior organist at the Chapel Royal, with Thomas Tomkins as junior organist.
This is an incorrect tag for Josquin des Prez
Christoph Willibald (von) Gluck (2 July 1714 - 15 November 1787) was a German composer, one of the most important opera composers of the Classical music era, particularly remembered for Orfeo ed Euridice. Gluck's operatic reforms, eliminating all that was undramatic, were a turning point in the history of the medium. Gluck's musical legacy was around 35 complete operas, together with numerous ballets and instrumental works.
Carl Philipp Emanuel Bach (1714-1788) - more commonly known as C.P.E. Bach - was a German musician and composer of the early Classical period. The second of eleven sons of Johann Sebastian Bach and Maria Barbara Bach, C.P.E. Bach was born in Weimar on 8th March 1714. He was one of the founders of the Classical style, composing in the rococo and classical periods. Through the latter half of the eighteenth century, his reputation was very high. This was mainly because of his clavier sonatas, which marked an important development in the history of musical form.
Giovanni Pierluigi da Palestrina (b. 3 February 1525 – 2 February 1526; d. 2 February 1594) was an Italian Renaissance composer and the most well-known 16th-century representative of the Roman School of musical composition. Palestrina became famous through his output of sacred music. He had an enormous influence on the development of Roman Catholic church music, and his work has often been seen as the culmination of Renaissance polyphony.
Born in Hanau in 1895, Paul Hindemith was taught the violin as a child. He entered the Hoch'sche Konservatorium in Frankfurt am Main where he studied conducting, composition and violin under Arnold Mendelssohn and Bernhard Sekles, supporting himself by playing in dance bands and musical-comedy outfits. He led the Frankfurt Opera orchestra from 1915 to 1923 and played in the Rebner string quartet in 1921 in which he played second violin, and later the viola. In 1929 he founded the Amar Quartet, playing viola, and extensively toured Europe.
Александр Константинович Глазунов (Alexander Glazunov; 10th August 1865–21st March 1936) was a Russian composer and influential music teacher. Glazunov was born in St Petersburg. He studied music under Nikolai Rimsky-Korsakov. The first of his nine symphonies was premiered in 1882, when Glazunov was sixteen years old. His popular "Stenka Razin" was also a youthful work. Glazunov also wrote three ballets.
Jules Émile Frédéric Massenet (May 12, 1842 – August 13, 1912) was a French composer from Montaud, France, who was best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas fell into almost total oblivion. Apart from Manon and Werther, his works were rarely performed. However, since the mid-1970s, many operas of his such as Thaïs and Esclarmonde have undergone periodic revivals.