Blank Realm is a rock band out of Brisbane. They “create a levitating atmosphere built on improvisations that focus sharp into excellent, tuneful songs (Brian Turner – WFMU)”. The band is composed of 3 siblings and a spiritual brother who share a love fine dining, and even finer selections from their well-stocked humidor.
A couple of shit-brained kids from Chicago. http://www.mediafire.com/?nzyu5nynmtc
The full name of DDAA is Déficit Des Années Antérieures.
DDAA was an obscure group of radical experimental noise makers used improvisation and collage to craft strange sounds and deconstructed songs for highly creative music that is as far off the path of conventions as that of similar but more known visionaries like the Residents and Nurse With Wound. In fact, DDAA roughly began the same time as NWW in the late '70s, started by three visual artists, Sylvie Martineau, Jean-Philippe Fee, and Jean-Luc Andre in Lion sur Mer, France.
Andy Buclaw is a singer/songwriter from Telford, Shropshire. He cites songwriting influences as the likes of Thea Gilmore, Roddy Woomble, Kat Flint, Elliott Smith and Ben Gibbard. Musically he is influenced by local musicians such as Rob Dunsford, Dirty Ray (formerly of The Immaculate Fools) and The Daughters.
Wet Hair is Shawn Reed, Justin Thye, and Ryan Garbes, the two remaining members of Raccoo-oo-oon that stayed in Iowa City after the band's end. Reed also runs Night-People Records, which Garbes often contributes to. Wet Hair began as a solo outing for Reed in late 2007 during the final months of Raccoo-oo-oon, and after the release of a 12" EP and the Irifi Cassette Garbes was added on organ and live drums.
Luigi Nono (29 January 1924 - 8 May 1990) was an Italian composer. He studied at the Venice Conservatoire where he became acquainted with serialism. (He married Arnold Schönberg's daughter Nuria in 1955). He became a leading composer of instrumental and electronic music. In 1950, he attended the "Ferienkurse für neue Musik" in Darmstadt, where he met composers such as Edgard Varèse and Karlheinz Stockhausen. Works from this first period include: Polifonica-Monodica-Ritmica (1951), Epitaffio per Federico García Lorca (1952-1953), La victoire de Guernica (1954) and Liebeslied (1954).
David Fenech is a French composer, performer, and improviser. his works include acoustic, electronic, tape, and digital media, sound installations and film scores. born in july 1969 (at the same time men were walking on the moon), david had a guitar for his 10th birthday and never ceased making music since then. after creating the musical collective peu importe in grenoble in 1991 (free improvisation and songs - many gigs in europe) his music has shifted to more personal and strange areas, mainly using voice as an instrument.
Back in the late '80s, Melbourne's Andrew Curtis and Philip Samartzis collaborated in the aurally volatile project simply called Gum. With little expertise or training, the two gathered up what objects they were familiar with, in particular thrift store turntables and soiled records. Eschewing their original attraction to the giants of Industrial Culture, Gum quickly developed an aesthetic privileging the caustic rupture of skipping records and smoldering surface noise, predating the current avant-turntablist aficionados like Philip Jeck, Janek Schaefer, and Otomo Yoshihide.
Soundscapes and droney textures based on guitar and field recordings. http://ypsmael.tumblr.com