Orlando Gibbons (1583-1625), English composer and organist of the late Tudor and early Jacobean periods, a leading composer in the England of his day. Born in Oxford, between 1596 and 1598 he sang in the choir of King's College, Cambridge, then he entered the university in 1598 and achieved the degree of Bachelor of Music in 1606. James I appointed him a Gentleman of the Chapel Royal, where he served as an organist from at least 1615 until his death. In 1625 he became senior organist at the Chapel Royal, with Thomas Tomkins as junior organist.
Giovanni Pierluigi da Palestrina (b. 3 February 1525 – 2 February 1526; d. 2 February 1594) was an Italian Renaissance composer and the most well-known 16th-century representative of the Roman School of musical composition. Palestrina became famous through his output of sacred music. He had an enormous influence on the development of Roman Catholic church music, and his work has often been seen as the culmination of Renaissance polyphony.
John Dowland (1563
Carl Philipp Emanuel Bach (1714-1788) - more commonly known as C.P.E. Bach - was a German musician and composer of the early Classical period. The second of eleven sons of Johann Sebastian Bach and Maria Barbara Bach, C.P.E. Bach was born in Weimar on 8th March 1714. He was one of the founders of the Classical style, composing in the rococo and classical periods. Through the latter half of the eighteenth century, his reputation was very high. This was mainly because of his clavier sonatas, which marked an important development in the history of musical form.
Claudio Monteverdi ("Green Mountain") (Cremona May 15, 1567 – November 29, 1643) was an Italian composer, violinist and singer. His work marks the transition from Renaissance to Baroque music. During his long life he produced work that can be classified in both categories, and he was one of the most significant revolutionaries that brought about the change in style. Monteverdi wrote the earliest dramatically viable opera, Orfeo, and was fortunate enough to enjoy fame during his lifetime.
Duarte Lobo (1565? in Alcáçovas?-September 24, 1646 in Lisbon) was a Portuguese composer of sacred music. He was among the most prominent figures of the "golden age" of Portuguese polyphony, along with such names as Manuel Cardoso and Filipe de Magalhães. Lobo, also known under his latinized name Eduardus Lupus, began his musical career studying under the famous Manuel Mendes. He thence worked his way up to the position of mestre de capela at the Lisbon cathedral, one of the most prestigious musical appointments in Portugal.
Thomas Weelkes (1576
Gregorio Allegri (1582
William Lawes (1602–1645) was an English composer and musician. Lawes was born at Salisbury in Wiltshire and was baptised on 1st May 1602. He was the son of Thomas Lawes, a vicar choral at Salisbury Cathedral, and brother to Henry Lawes, a very successful composer in his own right. His patron, Edward Seymour, Earl of Hertford, apprenticed him to the composer John Coprario, which probably brought Lawes into contact with Charles, Prince of Wales at an early age. Both William and his elder brother Henry received court appointments after Charles succeeded to the British throne as Charles I.
William Cornysh the Younger (1465 – October 1523) was an English composer, dramatist, actor, and poet, and much more. In his only surviving poem, which was written in Fleet Prison, he claims that he has been convicted by false information and thus wrongly accused, though it is not known what the accusation was. He may not be the composer of the music found in the Eton Choirbook, which may alternatively be by his father, also named William Cornysh, who died c 1502.