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Dave Grusin

David Grusin (born June 26, 1934 in Littleton, Colorado) is a jazz pianist, composer, and arranger whose works in films and TV have garnered him numerous awards. Grusin has a filmography of about 100 credits with many awards including an Oscar for best original score for The Milagro Beanfield War, as well as Oscar nominations for The Champ, The Fabulous Baker Boys, The Firm, Havana, Heaven Can Wait, and On Golden Pond.

Read more about Dave Grusin on Last.fm.

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Rachel Portman

The first female composer to ever win an Oscar, native Brit Rachel Portman studied Music at Oxford University, having begun composing at the age of thirteen. Her credits include the scores for 'Emma', 'Chocolat', 'Oliver Twist', 'The Cider House Rules' and most recently 'The Duchess'. She writes lush, sweeping scores which favour the use of the traditional orchestra and are often piano-led, this being the instrument on which she prefers to compose.

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Ben Foster

Ben Foster is a British composer, orchestrator and conductor. He is best known for his work as an orchestrator on the BBC series Doctor Who. Foster also composes music for the BBC drama Torchwood. His work on the show earned him a nomination in the Best Music category at the 2006 and 2007 BAFTA Cymru Awards. Silva Screen Records released a soundtrack album comprised of his work on the first and second series in August/September 2008.

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John Scott

For over forty years, John Scott has established himself as one of the finest composers working in films today, having collaborated with foremost producers and directors worldwide, including, Richard Donner, Mark Damon, Hugh Hudson, Norman Jewison, Irvin Kershner, Daniel Petrie, Roger Spottiswoode and Charleton Heston, among others. He has been an essential voice in international scoring that thoroughly belies his occasional over-looked stature in the midst of ‘brand name’ composers.

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John Ottman

John Ottman (born July 6, 1964 in San Diego, California) is an American film editor, composer and director. He is best known for his collaborations with film director Bryan Singer, editing and composing the scores for The Usual Suspects, Apt Pupil, X2: X-Men United, Superman Returns, and most recently, Valkyrie. He performed both duties in addition to directing the horror film Urban Legends: Final Cut.

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Richard Addinsell

Richard Addinsell (January 13, 1904 - November 14, 1977) was a British composer, best known for film music, primarily his Warsaw Concerto, composed for the film Dangerous Moonlight (also known under the later re-title Suicide Squadron).
Films for which he wrote the music include: * The Amateur Gentleman (1936)
* Fire Over England (1937)
* Goodbye Mr. Chips (1939)
* Gaslight (1940)
* Blithe Spirit (1945)
* Scrooge (1951)
* Tom Brown's Schooldays (1951)
* The Prince and the Showgirl (1957)

Read more about Richard Addinsell on Last.fm.

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Bernard Herrmann

Bernard Herrmann (June 29, 1911 – December 24, 1975) was an American composer noted for his work in motion pictures. In over forty scores Bernard Herrmann[ enriched the work of such directors as Orson Welles (Citizen Kane), Alfred Hitchcock (North By Northwest, Vertigo, Psycho, Marnie etc.), Francois Truffaut (Fahrenheit 451), and Martin Scorsese (Taxi Driver). From his first film (Citizen Kane) to his last (Taxi Driver)...

Read more about Bernard Herrmann on Last.fm.

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Dario Marianelli

Dario Marianelli is a Academy Award-winning film composer, born in May 25, 1963, in Pisa, Italy. He has composed the soundtracks for The Brothers Grimm, Pride & Prejudice, Atonement and V for Vendetta. He received an Oscar nomination for Best Achievement in Music Written for Motion Pictures, Original Score for Pride & Prejudice in 2005. In 2008, he received a Golden Globe for Best Original Score as well as an Academy Award Best Original Score for Atonement.

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Harry Manfredini

Since he was little, Harry Manfredini has had the dream of writing music for film. In his native Chicago, the musician worked as a jazz saxophonist for 20 years before beginning to work with children's movies. His second break came when meeting with producer Sean Cunningham. The two hit it off and began a professional relationship that would span several films. He may be remembered most for his score of Friday the 13th and some of its accompanying sequels. With Cunningham, he also worked on the scores of House and House II: The Second Story.

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