On the Radar | Musicosity

On the Radar

Wussy

Wussy is a four-piece rock and roll band comprised of ex-Ass Ponys frontman Chuck Cleaver (guitar, vocals), Lisa Walker (guitar, vocals), Mark Messerly (bass, keyboards) and Joe Klug (drums). They formed in Cincinnati, Ohio in the early 2000's with original drummer Dawn Burman. Cleaver and Walker began playing together in 2001 as a result of Cleaver’s stage fright when asked to perform a brief run of solo shows. The duo’s first performance was largely unplanned and yet went without incident.. so they agreed to continue and expand.

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Giraffage

Giraffage is the creation of 21-year old multi-instrumentalist/producer Charlie Yin of San Francisco, California. The general sound of Giraffage is described as a weaver of refreshingly crisp electro dream pop tunes that thread their way through loose-knit grooves and tightly-toothed rhythms. Gaining inspiration from things as diverse as dreams or the weather, Giraffage evokes a woozy yet familiar mood that is sure to stimulate your eardrums and leave you feeling a sense of nostalgia and melancholy.

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Bright Moments

Bright Moments, formerly known as Team B, is the Brooklyn-based solo project of multi-instrumentalist Kelly Pratt, who was born in Lexington, KY, USA. His debut album Natives was released on February 21, 2012. Prior to creating Bright Moments, Pratt contributed trumpets and vocals to Beirut, many instruments to Arcade Fire's Neon Bible, and horns to LCD Soundsystem.

Read more about Bright Moments on Last.fm.

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Sallie Ford & The Sound Outside

Sallie Ford is originally from Asheville, NC. She moved to Portland, OR in October 2006. She started writing songs soon after. In April 2007, she met Ford Tennis, Tyler Tornfelt and Jeff Munger and they became The Sound Outside!

Sallie Ford & The Sound Outside on Last.fm.

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Orcas

Orcas is a band by haze-pop auteur Benoît Pioulard and post-minimalist composer Rafael Anton Irisarri (also known as The Sight Below). Theirs is a style deeply rooted in personal variations on songform and ambient craft, and as a duo they bridge the furthest outlying aspects of their previous solo work published on Kranky, Touch, Miasmah, Room40, and Ghostly International. Version II The courtship of ambient music and traditional songform has been a long and tenuous one, almost to
the point that their differences seem irreconcilable. Spanning decades with only a few points of obscure

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