Kate Bush (born Catherine Bush on 30 July 1958 in Bexleyheath, Kent, England, now part of Greater London) is an English singer and songwriter known for her expressive four-octave soprano voice, idiosyncratic and literary lyrics, and eclectic and meticulous musical and production style. She debuted in 1978 with the surprise hit "Wuthering Heights", which was number one in the British music charts for four weeks.
School of Language is a pseudonym of Field Music's David Brewis. The album Sea From Shore was released during Field Music's break from band activities in 2008. A second solo record, Old Fears, will be released in April 2014. Both School of Language albums were self-produced at Field Music's studio in Sunderland in the north-east of England.
Valery Gore returns with her self-produced sophomore album, Avalanche To Wandering Bear. Her debut on Do Right Music, it
Born in 1959, Louis Philippe first recorded for Belgian label Les Disques du Crepuscule, under the names 'The Border Boys' (the 'Tribute' 12" EP, produced by Andy Paley, who'd worked with The Ramones and the Modern Lovers previously), and 'The Arcadians' (one single and one album, 'It's a Mad, Mad World', 1986, later re-released on a variety of labels as 'Let's Pretend'). On the advice of A&R man Mike Alway, Louis Philippe moved to London in late 1986...
This artist is an incorrect tag for Hiromi. If this artist appears under your library, do last.fm a favour. Fix your tags. See Hiromi. Hiromi Uehara (?????, born 26 March 1979) is a jazz composer and pianist born in Hamamatsu, Japan. She is known for her virtuosic technique, energetic live performances and blend of musical genres such as jazz, progressive rock, classical and fusion in her compositions.
UK duo Spaceheads have released 7 albums on such labels as Merge, BiP_HOp, Pandemonium Rdz. Andy Diagram (trumpet) and Richard Harrison (drums), take their unique sound, based on live trumpet loops, drums and electronics, to greater sonic extremes.
Lazy grooves and thick harmonised trumpet chords; sleazy deep beat brass and crushed up metallic drumbeats. Spaceheads mix the raw emotional sound of breath with the banging of wood on skin, and push it through the blips, crackle and distortion of pixelated electronic noise.
At long last a band is being recognised for the influence it has had without the commercial acclaim that some of their songs deserved.
This seminal Bristol band consisted of a nucleus of Chris Galvin (bass) and David Woodward (vocals and guitars) with Bob Morris (drums) plus various others during their ten years of existence.
Through various styles they created a unique Bristol slant on the 80's which was never deemed glamorous by the press or music gliterrati in general. Some may say that the Bristol scene was insular but it was really about being yourself and getting on with things.
Norman Connors (born March 1, 1947 in Philadelphia, Pennsylvania) is an American jazz drummer, composer, arranger, producer, and headliner, who has led some influential jazz and R&B groups. He had some big R&B hits of the day, especially in the area love ballads and songs with a positive statement in both titles and lyrics. Connors became interested in jazz as a child, and began playing drums early, once sitting in for Elvin Jones at a John Coltrane performance he attended while in middle school.
Rudder’s radical live music experience is the most exciting to hit the scene in a decade; while groups such as Medeski, Martin and Wood are considered their colleagues, the moment the listener catches their infectious energy, it’s clear that Rudder is the new standard streaking through the industry. Defunking the scene of its tired and sloshy vibe, they feed the intense craving for organic and phenomenal groove experience.
Clare and the Reasons call Brooklyn home, but after touring around the world extensively for their first two albums with Van Dyke Parks, My Brightest Diamond, and on their own, they needed a new setting – one that would make them see and hear differently. For 8 months in 2011 they lived in an apartment on Berlin’s Bergstrasse, on the western edges of what used to be the East. They got a 1968 Schwalbe moped – model KR-51 – and sped around the city at a velocity the congested New York streets would have prohibited.