Chaos UK are a UK hardcore punk band formed in 1979 near Bristol. Consisting of Simon on vocals, Andy on guitar, Kaos on bass, and Potts on drums (although the band has been through many different line-ups over the years with Kaos as the only consistent member). Their lyrics deal with topics such as unemployment, economic recession, drinking, infanticide, distrust of government, the police, and authority in general.
There are at least two artists which use this name: 1. The Room were formed in the late 70`s by Dave Jackson and Becky Stringer (both later of Benny Profane, Dust and The Dead Cowboys) before going through various personnel changes and splitting in 1985. With their interesting mixture of smooth vocals (Mel Torne was a big influence), clever lyrics (at times worthy of Jackson’s hero Thomas Pynchon) and splindly yet melodic music (thin The Fall but with more emphasis on melody) the band though very...
There are, at least, four artists named The Box. 1) A Montreal, Canada new wave band, formed 1981 by Jean-Marc Pisapia (an early member of Men Without Hats). The band was re-started, in 2003, with new lineup. Originally, Jean-Marc recruited guitarist Guy Florent and bassist Jean-Pierre Brie for the band, who were originally known as Checkpoint Charlie before settling on the name The Box. After a 15-year hiatus the band released their fifth album, the progressive-rock flavored "Black Dog There" on Komfy-Universal.
Orien is a dubstep producer who released the "Look At My Eyes EP" which recieved a huge response in the community.
There are multiple artists under this name: 1) U.K. were a short-lived British progressive rock supergroup active from 1977 through 1980. In September 1976, singer/bassist John Wetton formerly of the British Psychedelic band Family (with Roger Chapman and Rick Grech) and drummer Bill Bruford, both alumni of King Crimson, worked on forming a band with Yes keyboardist Rick Wakeman. The project was stopped by Wakeman's label. According to Bruford, "A&M Records were unwilling to let their 'star,' Wakeman, walk off with a used, slightly soiled King Crimson rhythm section, and the idea failed."
Thomas Weelkes (1576
Search & Destroy aka Prior & Lohan hooked up about 6 years ago, both met working in a music shop in the West End. Although both artists were heavily into different styles of music, it was when they started producing together that the S&D sound was born, taking influences from across the board, Jungle, Funk, Garage, Dub, Electro and more. After releasing material on Fragile Beats, Hotflush, Texture, Soulja, Halo, Virgin and Storming Productions, the lads decided to take the next step and start their own labels in the form of Destructive Recordings and Pitch Black...
At long last a band is being recognised for the influence it has had without the commercial acclaim that some of their songs deserved.
This seminal Bristol band consisted of a nucleus of Chris Galvin (bass) and David Woodward (vocals and guitars) with Bob Morris (drums) plus various others during their ten years of existence.
Through various styles they created a unique Bristol slant on the 80's which was never deemed glamorous by the press or music gliterrati in general. Some may say that the Bristol scene was insular but it was really about being yourself and getting on with things.
Ian Read founded Fire + Ice in 1991 after several years as a member of Sol Invictus. According to their sole website, "The heartlessness of the modern commercial consumer society ruins the lives of many. FIRE + ICE takes the purity and philosophy of early music and melds it into a message redolent with powerful seeds of honour, truth, loyalty and the bond of true friendship." The music reflects Read's keen interests in magic lore, runes, tradition, renaissance medievalism, Nordic mysticism and other esoteric and occult mysteries.
Crispy Ambulance were formed in Manchester (UK) in 1978 by Alan Hempsall (vocals), Keith Darbyshire (bass), Gary Madeley (drums) and Robert Davenport (guitar). Following a self-released debut single From the Cradle to the Grave (Aural Assault, 1980) the band joined Factory Records. Singles Not What I Expected (Factory, 1980) and Live on a Hot August Night (Factory Benelux, 1981, produced by Martin Hannett) preceded the album The Plateau Phase (Factory Benelux, 1981), and final single Sexus (also Factory Benelux, 1981).