Rovo is a psychedelic rock-jazz band founded in 1996 in Tokyo by former Boredoms guitarist Seiichi Yamamoto (山本精一), electric violinist Yuji Katsui (勝井祐二), and synthesizer/effects technician Tatsuki Masuko (益子樹), with Jin Harada (原田仁) on bass guitar, Hiroshi Nakanishi (中西宏司) on synths, and featuring two drummers/percussionists, the prolific Yasuhiro Yoshigaki (芳垣安洋) (of legendary improv noise group Ground-Zero) and Yoichi Okabe (岡部洋一).
Frederic Rzewski (born Westfield, Massachusetts, 1938) studied music first with Charles Mackey of Springfield, and subsequently with Walter Piston, Roger Sessions, and Milton Babbitt at Harvard and Princeton Universities. He went to Italy in 1960, where he studied with Luigi Dallapiccola and met Severino Gazzelloni, with whom he performed in a number of concerts, thus beginning a career as a performer of new piano music.
Jason Lescalleet has gradually and painstakingly built a compelling discography over the past decade. He uses reel-to-reel tape decks to explore the textures of low fidelity analog sounds and the natural phenomena of old tape and obsolete technology. He is one of a growing list of master producer/musicians, whose skill lies as much in reworking, assembling and mastering the material available as in creating it (or helping create it) in the first place.
Sun Ra (1914
Thomas Ankersmit (born 1979, Leiden, the Netherlands) is a musician and installation artist based in Berlin and Amsterdam. Initially an improvising saxophonist, his activities expanded to include live electronic music and installation pieces based on architectural acoustics and infrasound. He has been performing solo and in collaboration with other artists such as New York minimalist Phill Niblock, Kevin Drumm, Jim O'Rourke, Gert-Jan Prins, Borbetomagus and Alvin Lucier since 1998. Since 2003, Ankersmit most frequently collaborates with Niblock and electroacoustic improviser Valerio Tricoli.
«A Norwegian improv trio armed with a banjo, a double bass, a pedal steel, a bizarre tabla machine, shruti boxes and a fondness for freeing folk from its folk songs—from Santa Fe to Bombay.» Boston Weekly Huntsville’s unexpected sounds and textures, allied with echoes of traditional genres in a radical new conceptual language have been described as abstract drone Americana and yoga country. Their sound contains references to Supersilent, Bohren und Der Club Of Gore, Beirut, Tape, Tim Hecker, In The Country and John Cage.
Charalambides are a musical group originally from Houston, Texas, USA and lately of Austin, Texas. Formed in 1991 by Tom Carter and Christina Carter, adding Jason Bill and Heather Leigh Murray, they have followed in the footsteps of other Texas psychedelic music artists such as The 13th Floor Elevators, The Red Krayola, and Jandek. Their music contains elements typical of psychedelic music such as reverb, extended instrumental jamming and the use of found sounds, as well as elements of noise, avant garde, folk, and drone music.
He studied classical guitar for several years until choosing the instruments that he actually plays; bass clarinet, soprano saxophone and a mixer in feedback controlled by an inside amplified saxophone.
Composer Pauline Oliveros is a maverick in the field of electronic music. Oliveros' first instrument was the accordion; as a teenager in Texas she played in a 100-piece accordion group that appeared at the rodeo. In 1949 she entered the University of Houston, but in 1952 transferred to San Francisco State College. Oliveros studied music privately with Robert Erickson and began to associate with a loose confederation of like-minded composers; Terry Riley, Steve Reich, and Morton Subotnick among them.