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Chris Abrahams

Chris Abrahams (born 1961 in New Zealand) is a Australian pianist, best known for his jazz work.
Abrahams has been a member of the Benders, the Laughing Clowns, The Sparklers and The Necks. He has recorded several solo albums, as well as collaborations with Melanie Oxley from the Sparklers.
He has also played with Peter Blakeley and The Resurrection, Silverchair, Jackie Orszaczky and The Godmothers, Mephisto Waltz (with Ed Kuepper), Midnight Oil, The Whitlams, Crow and Gondwanaland, and is an in-demand session musician.

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Mark Wastell

Mark Wastell is a British cellist and improvisationalist born in 1968. Much of Mark Wastell's relationship with his chosen instrument is concentrated on the tactile, textural and sonic possibilities of both violoncello and bow. He is increasingly interested in working with extreme elements drawn from frequency, timbre and pitch. His early activity was consciously and subconsciously influenced by a variety of improvising musicians including John Stevens, Barry Guy, Phil Durrant and John Russell. Subsequent exposure to contemporary composers lead to a greater understanding and appreciation of the works written for strings by Feldman, Cage, Nono, Lachenmann and Sciarrino. The use of live electronics and music concrete by Tudor, Parmegiani, Xenakis and others was another important early influence.

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Jan Jelinek

Jan Jelinek (whose monikers include Gramm, for Source Records, and Farben), is a Berlin-based producer of electronic music drawing influences from jazz, dub, funk, soul, and house. Prior to releasing on the ~Scape label under his own name, he had put out albums as Farben (for Klang Elektronik). On 2001's Loop-Finding-Jazz-Records, Jelinek manipulates fragments of sound from old jazz recordings, transforming them beyond recognition into completely new pieces of music. On la nouvelle pauvrete, he joins forces with the imaginary band The Exposures, which he himself fabricated.

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Minamo

There are two different artists under the name Minamo: An electro-acoustic rock group and a Free Jazz/Classical Duo. 1. In 1999, the electro-acoustic group Minamo was formed by Keiichi Sugimoto and Tetsuro Yasunaga. In 2000, minamo's self-released CD-R "wakka" was reissued by the New York label Quakebasket. This release was selected by Matmos as one of best sounds in 2001 in The Wire magazine.
In 2001 two new members joined, Yuiichiro Iwashita (guitar) and Namiko Sasamoto (sax, organ), to make the band a quartet. In 2002, first CD album ".kgs" has released by the Tokyo label 360 records.

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Robedoor

Robedoor is the duo of Alex: slime, knives and distortion, and Notnotfun label head honcho Britt on fire, howls and cloaks...
Hmmm... but what does all that mean, sonically? Well, precisely what you might imagine. A blackened drone drenched world of slime and knives and fire, dense clouds of distorted howls, a thick cloak of fuzz and buzz wrapped around the proceedings like a thick, well, cloak! Actually this is a lot prettier than you might imagine. That is, if your idea of pretty includes tons of low end and a world of slow motion doomdrone.

Read more about Robedoor on Last.fm.

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Pita

Peter Rehberg (a.k.a. Pita) (born 29 June 1968, London) is an Author and Performer of electronic audio works. Rehberg has given live performances throughout Europe, North & South America, Japan and Australasia.
He has collaborated with: Jim O'Rourke, Christian Fennesz, Dennis Cooper, Gis

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Slomo

"If the doom metal of Khanate is the ideal soundtrack to the 21st Century Odinists' hanging upon the tree of Yggdrasil, then the vegetal music of Slomo is the unfolding, nurturing, ever-becoming ur-ooze that titanically irrigates the roots of that sacred tree." JULIAN COPE

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Bill Frisell

Bill Frisell was born in Baltimore, but was raised in Denver, CO. Once a classical clarinetist, he established a firm base in his traditional harmonic knowledge early on in life. Throughout high school and college he also played guitar in various rock and R&B groups in the Denver area. During high school, however, he became profoundly interested in jazz guitar. In 1971 Frisell attended Berklee College of Music in Boston, MA, and also began studying with Jim Hall, one of the prominent jazz guitarists of the 1960s.

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