hipster noise | Musicosity

hipster noise

Gods And Queens

Gods And Queens 3 piece band from Brooklyn/Philadelphia, who tried in vain to blatantly steal riffs and song patterns from some of their favorite bands, like Hoover, Rodan, The Telescopes, Angels Of Light, June Of 44, Lowercase, Spaceman 3 and the like...but failed on every attempt. Instead here are 7 songs that resemble nothing of who or what they were intended to be. Instead a few have said it sounds like a low rent super depressed version of Fugazi, and Quicksand with out the start stop timing, which Jamie is NOT happy about at all, in any sort of the word happiness.

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Kevin Drumm

Kevin Drumm is an musician based in Chicago, Illinois, United States. Emerging from the city's improvised music scene, in the 1990s he became one the world's pre-eminent prepared guitar players. Years active from 1991. Drumm's work expanded to include compositions and live electronic music made with laptop computers and analog modular synthesizers. He has collaborated with many artists working in similar fields, including Japanese guitarist Taku Sugimoto, multi-instrumentalist and producer Jim O'Rourke...

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Robedoor

Robedoor is the duo of Alex: slime, knives and distortion, and Notnotfun label head honcho Britt on fire, howls and cloaks...
Hmmm... but what does all that mean, sonically? Well, precisely what you might imagine. A blackened drone drenched world of slime and knives and fire, dense clouds of distorted howls, a thick cloak of fuzz and buzz wrapped around the proceedings like a thick, well, cloak! Actually this is a lot prettier than you might imagine. That is, if your idea of pretty includes tons of low end and a world of slow motion doomdrone.

Read more about Robedoor on Last.fm.

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Godsized

Godsized are four like-minded musicians with one main ambition in mind – channelling everything they have into creating heavy, groove based hard rock culminating in powerful, dynamic live shows. After solidifying the bands’ line-up in 2008 the band quickly established a name for themselves on the live circuit. The band spent the rest of the year alternating between the road and working on new material – keeping the hooks huge and the riffs even bigger.

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