In 1991, inspired by the rhythms of traditional Jamaican music and the largely improvisational nature of jazz, original Jazz Warrior, and veteran jazz double bassist, Gary Crosby turned a musical concept into a joyful reality. Gary
Kimmo Pohjonen (b. 1964) is one of the most respected and in-demand musicians and performers in Finland. An accordionist of exceptional ability and imagination, Kimmo's musical history goes back more than twenty years in rock, folk, avant-garde, improvisation, classical, dance and theatre music projects. In 1996 he embarked on a solo career with his solo 5-row accordion project, featuring extreme and original compositions, live loops and effects, a dynamic and animated stage performance, orchestrated lights and surround sound.
Blackwater may refer to at least 3 artists:
1) a French group of Celtic music caracterized for its energic sound and accurate control over the instruments. See http://www.lesonotone.com/blackwater/ and http://www.myspace.com/blackwateririshconnection. 2) a deathmetal band from the cold north. Inspired by bands like Kataklysm, Hate Eternal, Bloodbath, Behemoth etc... 3) A London-based classic rock band comprising Tommy Balaam (vocals/guitar), George McKenzie (Guitar), Rory Murphy (Vocals/bass) and Bryce Dunn (Drums).
Supersilent is a Norwegian improvisational avant-garde / electroacoustic group from Oslo, Norway, formed in 1997 and signed on Rune Grammofon. The band reportedly never rehearse together or communicate about their music outside of live sets and studio sessions. Supersilent was formed when the free jazz trio Veslefrekk (Arve Henriksen on trumpet, keyboardist Ståle Storløkken, and Jarle Vespestad on drums) played a concert with producer, live electronics artist and self-described "audio virus" Helge Sten (a.
Gregorio Allegri (1582
Two Judith Binghams:
Born 1986 Judith Bingham (Providence, RI) is an indie artist.
Born 1952 Judith Bingham (England) is a classical artist.
Jorge Cortés comes from Santiago de Chile, where he has been running the local label Ojo de Apolo. From 1997 to 2002 he worked as Cáncer - being now issued in Crónica - developing a crossing between intimate and pulsating sound, hand in hand with granular soundscapes. His work as Receptor, from 2002 onwards, is geared towards a more minimal click-house sound.