Cassandra Wilson (born 4th December 1955) is a U.S. jazz vocalist and two-time Grammy Award winner from Jackson, Mississippi. Two of her albums, Blue Skies (1988) and New Moon Daughter (1996), have topped the US jazz charts, and the latter also won her a Grammy for Best Jazz Vocal Performance in 1997. More recently, Wilson's latest album Loverly (2008) also won the Grammy for Best Jazz Vocal Album at the 51st Grammy Awards in 2009.
Jack DeJohnette (b. 1942) is an American jazz drummer and pianist. DeJohnette was born in Chicago, Illinois. Besides the drums, he studied the piano, which he plays on several recordings. He first became known as a member of Charles Lloyd's band, a band that Keith Jarrett also was a part of at that time. From 1969 to 1972 he played with Miles Davis and recorded many albums for ECM as both leader and sideman.
One of the original punk jazz groups of the New York No Wave scene, the Contortions were led by saxophonist James Chance, aka James White (birth name James Siegfried). The group formed in New York City in 1977 and ended along with the No Wave scene in 1979. Their first recorded appearance, credited solely as the Contortions, was on the 1978 compilation, No New York. The following year, two albums were issued almost simultaneously on the ZE label, Buy the Contortions (an extreme jazz-punk LP) and Off White (a disco/standards hybrid released under the moniker James White and the Blacks...
RinneRadio is a trio of musicians from Finland. Operating on the boundaries of jazz and electronic music, the output of RinneRadio has been described as "some jazz, plenty of techno and ambient influences, a few poppy melodies, and hints of world music". The biography on the band's website provides this description of the music they produce: "RinneRadio fuses electronic underground beats with progressive jazz.
James "Blood" Ulmer (born February 2, 1942 in St. Matthews, South Carolina) is an American avant-garde jazz and blues guitarist and singer. Ulmer's distinctive guitar sound has been described as "jagged" and "stinging." His singing has been called "raggedly soulful." Ulmer began his career playing with various soul jazz ensembles, and first recorded with organist John Patton in 1969. After moving to New York in 1971, Ulmer played with Art Blakey & The Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali and Larry Young.
A key figure in No Wave Chance has been playing a combination of improvisational jazz-like music and punk in the New York music scene since the late 1970s, in such bands as Teenage Jesus & the Jerks, James Chance and the Contortions, James White and the Blacks, The Flaming Demonics, James Chance & the Sardonic Symphonics, and James Chance and Terminal City. Chance differed from some of his No Wave compatriots by possessing (and demanding from his band) a certain level of musical skill and talent.