post dubstep | Musicosity

post dubstep

Lulu James

Lulu James is a young British artist hailing from the North East whose sound blends irresistible soul over electronica. Since the unveiling of her debut tunes 'Rope Mirage' and 'The End' the interest has been phenomenal. Currently recording her debut album.

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Phon.o

The boy with the dot in his name and the dubby background, started to play records in
the early 90s far in the darkest reaches of the ruff'n'tuff Harz mountains, in former East Germany. This little country bumpkin practiced dilingently every night by candlelight at his aunt's farm.
1994. Phon.o cites the hay in the barn, the dirt in the fields and the sheep form calling him from beyond the hills as strong early influences of his deep and dirty style. In these times he got his first turntables and used every free hour to practise in his hidden secret cottage.

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Evian Christ

Evian Christ is a 22 year old UK / producer by the name of Joshua Leary. He started uploading songs to his Youtube account late 2011, which gained the attention of a number of acclaimed blogs. On 1 February 2012, he released the "Kings and Them" mixtape on Tri Angle Records, compiling mastered versions of the tracks he had put on Youtube up until then.

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Kashii

"Absolutely of the moment gear from Kashii. All the house and garage influences that will draw comparisons with Floating Points, Joy Orbison and the like. We are very pleased to have been given "Tru Da City" upfront by Southern Fried." - Bleep

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Aches

Aches is twenty-four year old producer and visual artist Jonny Fox from Sheffield UK currently based in Bratislava, Slovakia. His recently released debut EP (via Exitab) brims with melancholic guitar sketches, compressed artifacts, ambient textures and breathing percussion which teams with the rhythms of UK garage and spacey Jungle; Whispers are skewed, embedded in the ambiance, fading in hazy dense textures.

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Kahn

New year, new blood. Kahn steps forward from the shadows of the Bristol underground to deliver a killer double A side debut 12” release for Punch Drunk Records. The immediacy of Kahn’s brand of electrostatic synths and stirring, moody grooves are sure to rapidly ascend his profile in 2011. "Like We Used To" strikingly layers a neck snapping rhythm with mutated soulful vocals, whilst "Helter Skelter" brings enough irresistible bump and flex to move any dancefloor. Kahn’s basslines may eminate from Bristol, but prepare to feel the resonance worldwide.

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