Lapis
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Angel Olsen
Angel Olsen hails from sunny, gorgeous, post-industrial St. Louis, Missouri. Beginning her performing career at age 16 in coffee shops, she now hones her craft in Chicago, Illinois, with recent tours to both seaboards and upcoming collaborations with members of the national indie music scene. Her intimate songwriting is coupled with a strong, ethereal tone and hypnotic rhythm acoustic guitar, borrowing from influences as varied as Skeeter Davis and homespun Americana to Spanish guitar and the French New-Wave chanteuse Francoise Hardy.
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human greed
Last.fm cannot filter bands and accord them their own identity - please be aware that there are two Human Greed's affected by this listing. One is a defunct Canadian grindcore band. The other is a UK based experimental electronic band. The albums listed here: "Consolation", "Pilgrim: new world homestead" and "Black Hill: Midnight at the Blighted Star" are by the UK Human Greed. Many of the individual tracks featured in the open track-listings are by the Canadian band.
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Stuzha
A brand new _Algol_ project named STUZHA (which is mean "severe cold" from russian) based on field recordings of Siberian winter landscapes with acoustic guitars & other live instruments.
Information taken from : http://www.myspace.com/stuzha
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Æthenor
Deep in Ocean Sunk the Lamp of Light is the debut from the trio of Stephen O’Malley (Sunn O)))), Daniel O’Sullivan (Guapo), and Vincent de Roguin (Shora). Taking its title from The Iliad, the music here is deep and cosmic, completely unlike anything you’d expect from such heavyweights. More in the tradition of Nurse With Wound’s "Spiral Insana" or Klaus Schulze’s "Cyborg" than any contemporary trend, the tracks float along in a masterful collage of activity, where careful scene changes highlight O’Sullivan’s classic but artfully placed Rhodes bombs, de Roguin’s organ, and O’Malley’s guitar.
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Psychonaut
There is more than one artist with this name. 1) Psychonaut was a ritual ambient project formed in 1997. Changed name (and musical style) to Psychonaut 75 in 2001. 2) Influenced by psychedelic experiences and meetings the trance-project Psychonaut was born. It consists of two members (Dr. Balser, Lothar H.), which started making music in the early 90's. They released some tracks on Trance-Compilations like Goahead, Planet Goa, Chakra etc.
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Stephen O'Malley
Stephen O'Malley (sometimes referred to as SOMA) is a producer & musician, predominantly a guitarist, from Seattle, Washington who has conceptualized and participated in numerous drone doom, death/doom, and experimental bands since 1993. O'Malley is a founding member of several groups including Sunn O))), Burning Witch, KTL, Khanate and others. He has worked with a variety of artists including Greg Anderson, Merzbow, James Plotkin, Julian Cope, Joe Preston, Attila Csihar...
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Rapoon
Rapoon is the ethno-ambient solo project of Zoviet France co-founder Robin Storey, operating out of the United Kingdom since 1992. Robin was born in 1955 in Cumbria, England. While studying fine arts at Sunderland University, he began pursuing a long-held interest in sound manipulation by taking classes in electronic and experimental composition, additionally joining with friends to perform the works of Karlheinz Stockhausen (a key influence, as were the krautrock bands of the early 1970s).
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Hands of Ruin
Hands of Ruin is a pseudonym of London, UK's Colin Z. Robertson, who also releases music as c.z.robertson. Hands of Ruin is a dark electronic music project, influenced by electronica such as that from Richard David James (aka Aphex Twin) and Autechre, plus darkwave / dark ambient bands, such as Dead Can Dance, Arcana and In Slaughter Natives. Sites: Discogs and http://HandsOfRuin.com
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Gail Priest
Gail Priest is a Sydney-based sound artist, writer and curator. She is interested in releasing the hidden melodies and broken beats found in raw sonic material. She manipulates field recordings, random instruments and the tortured voice to create works that explore the fine line between pleasure and pain. Her atmospheric adventures incorporate dirty machinic rhythms and bass-heavy pulsations contrasted with glassy cascades and occasional sweet slippery vocals.
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