Robert Normandeau (born March 11, 1955 in Quebec City, Quebec) is a Canadian electroacoustic music composer. Normandeau studied at the Université Laval in Quebec City, and at the Université de Montréal, where he studied with Marcelle Deschênes and Francis Dhomont. He currently is living in Montreal, Quebec, where he was appointed Professor of Electroacoustic Music Composition in 1999.
Anthony Pateras (b.1979) is a multidisciplinary musician living and working in Melbourne, Australia. Solo, he appears on piano or analogue electronics, and composes written works for ensembles, orchestras and soloists. His main bands are Pateras/Baxter/Brown freeform acoustic noise-jazz, an electro-acoustic duo with Robin Fox, the free-grind project PIVIXKI (with Max Kohane) and noise sculptors POLETOPRA (with Marco Fusinato).
Music, or art in any form, is about space. To create a setting that engages with thoughts, ideas, or musings, and unravel them in real time, is to create a masterwork. Through a landscape of calculated interpretation and embraced accidents Caravans, the second album from Sydney
Ned Bouhalassa (born Le Mans, France, 25 August 1962) is a composer of electroacoustic music, film scores, and television scores. Bouhalassa is a Canadian citizen, and has been residing in Montreal since 1967.
A student of composer Francis Dhomont, and professor Kevin Austin, he has been composing electroacoustic music since 1987. Regularly programmed at Montreal's Elektra and Réseaux festivals, his concert music has also been heard around the world. Since the late 1990s, he has been exploring hybridization by combining electronic beats with electroacoustic soundscapes.
Luca Nasciuti is a London based composer trained in electroacoustic composition, classical music, visual and performing arts. His work spans from installation, to video and performance art, focusing on the legacy between acoustic and electroacoustic sound, and the interplay of sonic and visual practices within site-specific contexts.
Norm Skipp is a NZ/UK composer/sonic artist, video artist and online editor/compositor based in Manchester, UK He creates innovative sound and visual compositions often in collaboration with a diverse range of artists. He completed a Music degree (composition) in New Zealand in 1994 studying with Jack Body, Ross Harris, John Elmsly and John Rimmer. In 2007, while in residence at the Centre Création Musicale Iannis Xenakis (CCMIX) in Paris, he studied with Gérard Pape, Jean-Claude Risset, Trevor Wishart, Curtis Roads, Harry Halbreich, Agostino Di Scipio and Makis Solomos.
German composer Marcus Schmickler first came to prominence as a member of POL, the project formed by Carsten Schulz (C-Schulz) that released Transomuba (1994), that mixes field recordings, world and techno music, and Baby I Will Make You Sweat (1995), the (vastly inferior) soundtrack to a movie. Schmickler then recorded Wabi Sabi (1996), an avantgarde work of computer-generated drones that updated Lou Reed's Metal Machine Music to the digital age. Onea Gako (Odd Size, 1994) was credited to Marcus Schmickler, and it was co-arranged and produced by C-Schulz.