acousmatique | Musicosity

acousmatique

Luca Nasciuti

Luca Nasciuti is a London based composer trained in electroacoustic composition, classical music, visual and performing arts. His work spans from installation, to video and performance art, focusing on the legacy between acoustic and electroacoustic sound, and the interplay of sonic and visual practices within site-specific contexts.

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Pauline Oliveros

Composer Pauline Oliveros is a maverick in the field of electronic music. Oliveros' first instrument was the accordion; as a teenager in Texas she played in a 100-piece accordion group that appeared at the rodeo. In 1949 she entered the University of Houston, but in 1952 transferred to San Francisco State College. Oliveros studied music privately with Robert Erickson and began to associate with a loose confederation of like-minded composers; Terry Riley, Steve Reich, and Morton Subotnick among them.

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Tarab

TARAB's work is a mix of re-contextualized field recordings and tactile gestures formed into dynamic, psycho-geographical compositions inspired by discarded things, found things, junk, dirt, the ground, rocks, dust, wind, walking aimlessly, scratchy things, decay, and most if not all the things he sees and hears. His work explores the possibilities of personal chartings and reactions to the urban environment, revelling in the decay and detritus to be found there.

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Gum

Back in the late '80s, Melbourne's Andrew Curtis and Philip Samartzis collaborated in the aurally volatile project simply called Gum. With little expertise or training, the two gathered up what objects they were familiar with, in particular thrift store turntables and soiled records. Eschewing their original attraction to the giants of Industrial Culture, Gum quickly developed an aesthetic privileging the caustic rupture of skipping records and smoldering surface noise, predating the current avant-turntablist aficionados like Philip Jeck, Janek Schaefer, and Otomo Yoshihide.

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