americana | Musicosity

americana

Cat Power

Charlyn Marie Marshall, also known as Chan (pronounced "Shawn") Marshall, was born in Atlanta, Georgia, U.S. on 21 January 1972. After dropping out of high school, she started performing under the name Cat Power, while in Atlanta, backed by musicians Glen Thrasher, Mark Moore, and others. She soon moved to New York City, United States in 1992, then later opening for Liz Phair in 1994, she met Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, who encouraged her to record, and played on her first two albums, 1995's Dear Sir and 1996's Myra Lee.

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Heartless Bastards

The Heartless Bastards' story starts in Dayton, Ohio, where Wennerstrom found the name on a multiple choice video trivia game at a bar. As a songwriting teenager during a time when Guided by Voices and Brainiac were packing local bars and three of The Breeders were still in town, Wennerstrom used to sneak into clubs to check out the scene. "I would just see those people—my music heroes—hanging out at the bar like everyone else," she remembers. "I could see myself in them. It gave me inspiration to do my own thing."

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Jim White

Jim White is a southern gothic alt-country singer-songwriter. He has released four albums as a solo artist. While his music is based in americana, he borrows elements from rock, rhythm and blues, and even electronica, often piecing sounds together in the lo-fi cut-and-paste fashion of artists like Tom Waits. His albums have featured a wide variety of collaborators, such as Victoria Williams, Morcheeba, Aimee Mann, Barenaked Ladies, and Joe Henry.

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Flaco Jimenez

Flaco Jiménez (born March 11, 1939) is a Tejano music legend from San Antonio, Texas. Jiménez's father, Santiago Jimenez Sr. was a pioneer of conjunto music. He plays the accordion. By the time he was seven years old, Flaco was performing with his father. He began recording at fifteen, as a member of Los Caporales. He played in the San Antonio area for several years, and then began working with Douglas Sahm in the 1960s.

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The Lofty Heights

Originally the brainchild of crooning minstrel Gregory Griffin; a Californian recently transplanted to a giant warehouse in the Manor House area of London, Lofty Heights have since evolved into a band of mid-20’s misfits peddling Colin Meloy influenced indie- pop that spin yarns from lonesome ancient mariners to the perils of sharing the washing-up!
Debut single Eye Contact is a beautifully orchestrated chamber pop ditty that sees Greg interlace Beach Boy inspired harmonies over heartfelt lyrics and rich instrumentation including cello, slide guitar and piano accompaniment.

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The Yearlings

Roots/alt. country duo The Yearlings combine warm harmonies with delicate flat-picking and sparse country blues to create songs that are at once haunting and soothing. Hailing from Adelaide, The Yearlings have pushed new limits in Australia's Roots/Alt. country scene. Robyn Chalklen and Chris Parkinson have wasted no time in getting down to the business of making music since meeting at the Tamworth Country Music Festival in 2000. Their successful self-titled debut album (released on Reckless Records in 2003) was recorded live in 8 hours and long-listed for an ARIA nomination.

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Chris Mills

Americana singer/songwriter Chris Mills was born an Army brat, spending his formative years living in both the U.S. and Germany; as a teen he settled in southern Illinois, where he was exposed to the groundbreaking insurgent country sound of local heroes Uncle Tupelo. While in high school, Mills also fronted a speed metal band, but in the years to follow his music took an increasingly rootsy turn; upon signing to Chicago indie Sugar Free, he issued his debut EP Nobody's Favorite in 1997, followed in early 1998 by the full-length Every Night Fight for Your Life.

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Caramel Jack

Caramel Jack is a pop, folk and experimental group based in Brighton, England and built around the songwriting and production team of Richard Scott and Joe Doveton. Most often associated with the alt.country / americana scene their music is really a smorgasboard of styles ranging from Country-Folk to Chamber-Pop to Vaudeville incorporating hip-hop beats, cinematic instrumentals and sound effects along the way.

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