contemporary jazz | Musicosity

contemporary jazz

Cyrus Chestnut

Cyrus Chestnut born on January 17, 1963, in Baltimore, Maryland; son of McDonald (a retired post office employee and church organist) and Flossie (a city social services worker and church choir director). Chestnut started his musical career at the age of six, playing piano at Mount Calvary Baptist Church in hometown. By age nine, he was studying classical music at Peabody Institute. In 1985, Chestnut earned a degree in jazz composition and arranging from Boston's renowned Berklee College of Music.

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Martin Speake

Martin Speake was born in Barnet, England, in 1958. There was music in the family and his grandmother was a pub pianist all her life having started off playing for silent films. A cousin was a semi professional jazz pianist who was inspired by Bill Evans, his mother loved Ella Fitzgerald and his auntie and uncle listened to Frank Sinatra, The Beatles and Errol Garner. Parties would always have music at them, which usually meant family and friends would take it in turns to sing a song.

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Django Bates

Django Bates (born October 2, 1960 in Beckenham, Kent, United Kingdom) is a composer and virtuoso multi-instrumentalist. He plays the piano, keyboards and the tenor horn. He is widely regarded as one the most creative musicians in the world. Bates rose to prominence in Loose Tubes, a jazz orchestra which was considered the UK's most exciting and inspirational groups in the 1980s. It played a key role in re-energising the British jazz scene.

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Dave Weckl

Born in St. Louis, Missouri, January 8th, 1960, to a mother who loved music and a father who played the piano as a hobby, Dave started playing drums around the age of 8. During his high school years he received many awards from the NAJE (National Association of Jazz Educators) for his outstanding performances in his high school's competition winning jazz band, and was involved with numerous local groups from a very early age while studying with St.

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Julien Lourau

Born in 1970, Julien Lourau attentively listened to contemporary currents. Like a whole generation which grew up listening to fusion bands of the ‘70’s and the ‘80’s, the saxophonist naturally evolved in mixed sounds of his time. His first experiences alongside Noël Akchoté and the Bosnian pianist Bojan Zulfikarpasic in Trash Corporation actually reflect a creative ardour, a refusal of dogmas. We may find in it free influences, Ornette Coleman’s harmolody, a rock energy and a lot of freedom.

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