Bob James (born December 25, 1939) is a two-time Grammy Award-winning jazz keyboardist. Though he has recorded a couple of straight jazz albums, most of his recordings contain "pop-jazz" which is a type of instrumental pop music. Bob James was an important figure in turning 1970s fusion jazz more commercial. For their album One on One, Earl Klugh and Bob James received a Grammy award for Best Pop Instrumental Performance of 1981.
Lou Donaldson (born 1926) is a jazz alto saxophonist, born in Badin, North Carolina. He is best known for his soulful, bluesy approach to the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker's improvisational approach. His first recordings were with bop emissaries Milt Jackson and Thelonious Monk in 1952, and lead several small groups with other jazz luminaries such as trumpeter Blue Mitchell, pianist Horace Silver and the indomitable skinsman, Art Blakey.
Dave Holland (born October 1, 1946) is a British jazz bassist and composer who is a significant representative of avant-garde jazz. Born in Wolverhampton, England, Holland learned to play bass as a child, and spent three years studying the instrument at the Guildhall School of Music and Drama. By 1967 he was a regular player at Ronnie Scott's, the premier jazz club in London, backing visiting musicians.
Laurent De Wilde, the Mid-Atlantic piano player of the year, is a graduate of the Ecole Normale Supérieure. This school and a few others like it are called Les Grandes Ecoles and they are comparable to the Ivy League. They produce the elite in this country. And so it seemed appropriate to ask De Wilde: "What's a nice guy like you doing in a métier like this?" He replied with a very American have-a-nice-day croon: "It seemed like a good idea at the time."
34 year-old pianist Jason Moran has proven, after seven years on the estimable Blue Note Records, more than his brilliance as a performer. He’s established himself as a risk-taker, a seeker of new directions for jazz as a whole. Looking to the wider world of art for inspiration, Moran has found it in edgy 20th century painters like Jean-Michel Basquiat (check out “JAMO Meets SAMO” from Soundtrack to Human Motion, his 1999 debut as a leader...
Born in Detroit, Michigan, in 1969, James Carter began playing saxophone at age 11, first recorded with a Detroit student ensemble in 1986 and, by 1991, had recorded with legendary trumpeter Lester Bowie on The Organizer and contributed to the 1991 collection The Tough Young Tenors. Mastering a family of reed instruments, from sopranino to contrabass saxophones to contrabass and bass clarinets, James Carter mesmerized the jazz world after arriving in New York City in 1988 to play under the auspices of Lester Bowie.
Guitarist Ivar Grydeland and percussionist Ingar Zach, prime movers and catalysts for free improvised music in Norway, got in touch with Christian Wallumrød after hearing his “Sofienberg Variations” on ECM and they have since worked together in diverse combinations including, since 2004, ‘Dans les arbres’ a project completed by French clarinettist Xavier Charles. Their radical all-acoustic improvisation explores sonorities and textures that frequently sound electronic, and also often sounds ‘composed’ – with echoes of Cage and the New York School.
Originally from St. Louis, Missouri, Chris Cheek, the son of a junior high school band director, began playing the alto sax at the age of 12. Chris played in a variety of local Jazz and Blues bands in the St. Louis area while attending Webster University. In 1988, on scholarship, he went to the Berklee College of Music in Boston, Massachusetts where he studied with Joe Viola and Hal Crook, eventually receiving a bachelors degree in performance.
