Joe Lovano
Joseph Salvatore Lovano was born in Cleveland, Ohio on December 29, 1952 and grew up in a very musical household. His dad, Tony, aka Big T, was a barber by day and a big-toned tenor player at night. "Big T," along with his brothers Nick and Joe, other tenor players, and Carl, a bebop trumpeter, made sure Joe's exposure to Jazz and the saxophone were early and constant. Joe's mom, Josephine, and her sister Rose were serious listeners, as well.
Marc Johnson
As a virtuoso bassist, versatile composer, and acclaimed bandleader, Marc Johnson has been a major innovator on the jazz scene for the past two decades. Born in Nebraska in 1953, Johnson took up bass at the age of 16, having already studied piano and cello. While completing his formal education in the celebrated music program at the University of North Texas, at age 19, Johnson began performing professionally with the Fort Worth Symphony. In 1977, he was on the road with the Woody Herman Band.
Ken Nordine
Ken Nordine ( January 1920) is an American voiceover and recording artist. Born in Chicago, Illinois, Ken Nordine is the son of an architect. He attended Lane Technical College Prep High School (Chicago) and the University of Chicago. He has three sons with his wife Beryl whom he married in 1946. Nordine's deep, resonant voice has been featured on many commercial advertisements. One critic wrote that "you may not know Ken Nordine by name or face, but you'll almost certainly recognize his voice."
Sam Jones
1. Sam Jones, a greatly in-demand bassist who often teamed up with drummer Louis Hayes, was also a talented jazz cello soloist. He always took advantage of the fairly rare opportunities he had to lead sessions to create memorable music. He played with Tiny Bradshaw (1953-1955), moved to New York in 1955 and worked with the groups of Kenny Dorham, Cannonball Adderley (1957), Dizzy Gillespie (1958-1959), and Thelonious Monk, among others.
Lou Donaldson
Lou Donaldson (born 1926) is a jazz alto saxophonist, born in Badin, North Carolina. He is best known for his soulful, bluesy approach to the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker's improvisational approach. His first recordings were with bop emissaries Milt Jackson and Thelonious Monk in 1952, and lead several small groups with other jazz luminaries such as trumpeter Blue Mitchell, pianist Horace Silver and the indomitable skinsman, Art Blakey.
Mario Biondi
Mario Biondi is an Italian singer. Born in Catania, son of a popular song singer, still young sings in various small choruses. Years after he follows Califano, di capri, Bongusto, Fiorello and others in their tours. After a long series of participations with Italian and international artists and a small production of disco music, during 2006 he hits the success with the Schema Records album "Handful of Soul". His deep and warm voice recalls the great interpreters soul and rhythm and blues music.
Ray Brown
There is more than one artist named Ray Brown.
1 - American jazz double bassist
2 - Australian singer/guitarist 1. Raymond Matthews Brown (October 13, 1926
Kenny Garrett
Kenny Garrett is a jazz saxophonist. He was born in Detroit, Michigan in 1960. His father was a tenor saxophonist. Kenny's career took off when he joined the Duke Ellington Orchestra in 1978, then led by Duke's son, Mercer Ellington. Three years later he played in the Mel Lewis Orchestra (playing the music of Thad Jones) and also the Dannie Richmond Quartet (focusing on Charles Mingus's music). In 1984 he earned a shot at his first album as a band leader, "Introducing Kenny Garrett". From there, his career has exploded into 11 albums (as a leader) and numerous grammy nominations.
Monty Alexander
Born Montgomery Bernard Alexander on June 6, 1944 in Kingston, Jamaica, Monty Alexander is a jazz pianist whose style is influenced by strong Caribbean and swing feeling. A musician of a great versatility, this piano virtuoso has covered wide range of musical genres in his career from jazz to reggae, playing with either small bands or an orchestra. "My goal is to uplift", says Alexander. “The piano, to me, is a vehicle for connecting to other human beings. I'm very open to all forms of music. I'm not a bebop musician, I'm not a calypso musician, I'm not a reggae musician.