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contemporary jazz

Charles Lloyd

Charles Lloyd (b. March 15, 1938) is an American jazz musician, playing mostly tenor saxophone along with flute and tarogato.
He started his career by playing together with Chico Hamilton and Cannonball Adderley.
In the latter half of the 60s, his own quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette was one of the most popular jazz bands of the time. Their album Forest Flower is one of the best-selling jazz albums ever.
In the 70s Lloyd was mostly retired from music, but came back in the 80s after being persuaded doing so by French pianist Michel Petrucciani.

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David Liebman

Dave Liebman (born on 4 September 1946, Brooklyn, New York) is an American saxophonist and flutist. Liebman is a New Yorker, and a History graduate from New York University. He learned both piano and saxophone as a boy but had no formal education. In the late sixties he worked with Pete La Roca, Chick Corea, Dave Holland and Steve Swallow, amongst others, before joining Elvin Jones's band. In 1972 he was asked to join Miles Davis's group, and can be heard on Davis's albums On the Corner, Big Fun...

Read more about David Liebman on Last.fm.

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Brad Mehldau Trio

Mehldau plays original compositions, jazz standards and jazz arrangements of popular music, especially rock music. With his trio, he has recorded arrangements of the music of Nick Drake, The Beatles, Radiohead and Paul Simon. Mehldau has a distinct talent for transforming these ‘Rock’ songs in such a way that they sound as if they were Jazz Standards in the first place. He is best known as leader of the Brad Mehldau Trio, with bassist Larry Grenadier and drummers Jorge Rossy and Jeff Ballard (who succeeded Rossy in 2005).

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Benny Goodman

Benny Goodman, born Benjamin David Goodman, (May 30, 1909 – June 13, 1986) was an American musician, known as King of Swing, Patriarch of the Clarinet, The Professor, and Swing's Senior Statesman. Goodman was regarded by some as a demanding taskmaster, by others an arrogant and eccentric martinet. Many musicians spoke of The Ray, Goodman's trademark glare that he bestowed on a musician who failed to perform to his demanding standards.

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