jazz guitar

At Present Ulf Wakenius has since 1997 held what may be the most prestigious spot in jazz for a guitarist-membership in the legendary Oscar Peterson Quartet. His predecessors have been such greats as Barney Kessel, Herb Ellis, and Joe Pass. He has performed at such classic jazz venues as Carnegie Hall, the Hollywood Bowl, the Blue Notes, and recently played sold out shows with Oscar Peterson at the Royal Albert Hall, Chicago Symphony Hall, Palais Des Congres, Wiener Konzerthaus, Massey Hall, Teatro Colon-Buenos Aires, Stravinski Hall-Montreaux and Tokyo International Forum Hall.

Nels Cline (born in Los Angeles in 1956) is an American guitarist and composer. Currently he is the lead guitarist of the rock band Wilco. Nels began to play guitar at age 12 when his twin brother, Alex Cline took up the drums. Cline is not classically trained. This gives him a unique avant-garde style that many other jazz guitarists fail to match, due to their probable conventional training. He is noted for his apt use of effects pedals and looping devices, which enhances his style and gives his approach to guitar and music a distinct sound.

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Chuck Loeb is a skillful guitarist capable of numerous styles of music, most notably jazz. Loeb's own solo projects have generally been commercially successful crossover jazz, which has "contemporary" or "smooth" jazz. He started playing guitar when he was 11, discovered jazz when he was 16, took lessons from Jim Hall, Pat Metheny and Joe Puma, and attended the Berklee College of Music. Loeb freelanced in New York (with Hubert Laws, Chico Hamilton, Joe Farrell among others) and then in 1979 joined Stan Getz's group for two years.

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In 1977, Robben Ford assembled a group of veteran session musicians to record his album The Inside Story. The trio of musicians, which included keyboardist Russell Ferrante, bassist Jimmy Haslip and drummer Ricky Lawson, soon discovered a certain "chemistry" and musical affinity that led to their formation of Yellowjackets. The Inside Story being mainly instrumental, Robben Ford's record label wanted him to record another album that was more pop and vocal oriented. The group, known as the Robben Ford Group, preferred to pursue the instrumental route, and a "band within a band" was formed.