library music

Two groups are called The machines: (1) A Russian Electronic group created by Anton Neumark, on the ataraxy records label. (2) Brilliant Belgian melodic pop-group around Paul Despieghelaere from the beginning of the 1980's. Late in the seventies, the Gent-based Nestormartin renames itself to The Machines and wins the second edition of HUMO's Rock-Rally in 1980. They write music in the best tradition of the Beatles and Talking Heads.

Terry Day is a veteran of free improvisation, member/founder of bands and ensembles such as the Continuous Music Ensemble and the People Band, worked with free improv and free jazz musicians, mime artists, poets, painters, eventists and film artists. Some of his musical partners include Derek Bailey, Steve Beresford, Phil Minton, Evan Parker, Charlotte Hug, John Russell, Rhodri Davis, Misha Mengelberg, Tony Oxley, Marten Altena, Gus Johansen, Phil Wachsman, John Tchikai...

Hiding behind the Mirageman name was in fact pianist and composer Giovanni Fenati, who released a series of five (but some sources mention a sixth title) library albums between 1969 and 1972 on the Ariston label. At least four known singles were taken from these albums. Most of this keyboard-led instrumental production has little connection with progressive music, as demonstrated by the album titles, Per voi giovani and Alto gradimento were popular radio programs, and the albums were more in the easy listening/lounge music style.

Andrew Pekler was born in Samarkand, Uzbekistan (then U.S.S.R.). His family immigrated to the U.S., eventually settling in Monterey, California. In the mid 90s he moved to Heidelberg, Germany to attend university. Since 2000 he has been living and working in Berlin.

Under his own name he has produced two records for the ̃scape label, Station to Station (2002) and Nocturnes, False Dawns and Breakdowns (2004) as well as releasing Strings + Feedback (2005) on Staubgold. His latest album Cue, was released in June 2007 on Kranky (Chicago, USA).