ethnic | Musicosity

ethnic

Te Vaka

Te Vaka is a unique group of ten musicians and dancers from Tokelau, Tuvalu, Samoa, Cook Islands, and New Zealand brought together under the inspired leadership of Opetaia Foa'i. They have been wowing international audiences since 1997, presenting a rich, luscious mix of Polynesia's ancient culture, to the modern world and in 2008 won the

Artist Type: 

Joji Hirota

Joji Hirota's albums Wheel of Fortune and Sahasurara (Sahasurara was released under the name George Hirota) are two of the finest pieces of jazz fusion/prog rock you're likely to hear. Amazing drumming in the vein of Magma, King Crimson, etc, excellent bass, piano, analog synths galore, as well as koto and other Japanese instrumentation, etc. His later albums are less jazz fusion and more new age/world music vein. http://www.youtube.com/watch?v=lCAiZ4ns3ZM&feature=related

Artist Type: 

Indians

The Indian Dreams They were touring doncaster when i first found out about them about 4 years and a bit so that would be about 2003. I bought their album as they were only peforming in the streets i still have it to this day. Some of my favs on the album are: Flying condor
Love mountain
Wayrapa muspuymin Great album for relaxing all pipes and some singing on some tracks. Flying condor is their best track though.

Artist Type: 

Cesaria Evora

This is a wrong tag for Cesária Évora. Please correct!
Cesária Évora (pronunciation in IPA: [sɨ'zaɾiɐ 'ɛvuɾɐ]) (born Mindelo, São Vicente Island, Cape Verde, 27 August 1941), is a Cape Verdean popular singer. Nicknamed the “barefoot diva” for her preference for performing without shoes,[1] Évora is perhaps the best internationally-known practitioner of morna. Dicography * La Diva Aux Pieds Nus (1988)
* Distino di Belita (1990)
* Mar Azul (1991)
* Miss Perfumado (1992)
* Cesária (1995)

Artist Type: 

Erkan Oğur & İsmail H. Demircioğlu

For both artists see also İsmail Hakkı Demircioğlu, Erkan Oğur. Erkan Oğur in the West (born 1954) is a Turkish musician. A pioneer of fretless guitars, he invented the first fretless classical guitar in 1976.[1][2] A composer, he has influenced many musicians with his compositions combining the sounds of Turkish folk music, classical music with the ancient traditional music. He has played many concerts all over the world. He is regarded as a master of the kopuz and baglama lutes.

Artist Type: 

Homayun Sakhi

Introduction
Like many lands riven by conflict, Afghanistan and its vexed politics have spawned diaspora communities near and far.
Music is the lifeblood of such communities, linking them to a common homeland through song, poetry, and a sense of tradition.
Homayun Sakhi, formerly of Kabul, later a refugee in Peshawar, Pakistan, and presently a resident of California, is possibly the finest rubab player of his generation.

Artist Type: