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conductor

Trevor Pinnock

Trevor David Pinnock CBE (born December 16, 1946) is an English conductor and harpsichordist. He is best known for directing period-performance orchestra The English Concert from the harpsichord for over 30 years in baroque and early classical music. Trevor Pinnock was born in Canterbury. He became a chorister at Canterbury Cathedral when he was 7, attending the Cathedral Choir School and later Simon Langton Grammar School for Boys.

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Yuri Simonov

Yuri Simonov was born in Saratov, USSR, studied at the Leningrad Conservatoire with Rabinovich and assisted Mravinsky at the Leningrad Philharmonic Orchestra. His debut was in 1953 with the Saratov Music School Orchestra (Mozart’s Symphony No. 40) and in 1963 at the Leningrad Conservatory conducting Dargomizhsky's The Mermaid. Following success in the Santa Cecilia Conductors' Competition in Rome in 1968, he was invited to make his debut at the Bolshoi Opera (Aida) in 1969, and was almost immediately appointed Chief Conductor: the youngest in history and...

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Christoph Eschenbach

Christoph Eschenbach (born February 20, 1940 in Breslau, Germany (today Wrocław, Poland) is a noted pianist and conductor. Orphaned by World War II, he won numerous first-place piano competition prizes. In 1964 he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982-86.

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Andrew Manze

Beckenham, UK (1965-present) Andrew Manze (born 14th January 1965, Beckenham) is an English baroque violinist and conductor. Having first started playing the baroque violin while studying Classics at Cambridge University, he went on to study with Simon Standage, one of the founding members of The English Concert, at the Royal Academy of Music, followed by further studies with Lucy van Dael at La Haye.

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William Christie

William Lincoln Christie (born December 19, 1944 in Buffalo, New York) is the founder and director of Les Arts Florissants. Christie studied art history at Harvard University (where he was briefly assistant conductor of the Harvard Glee Club) and music at Yale University. He moved to France in 1971, where he became known for his interpretations of Baroque music, particularly French Baroque music, working with René Jacobs and others.

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Jordi Savall

Jordi Savall i Bernadet (born 1941, in Igualada, Catalonia, Spain) is a Spanish-Catalan viol player and composer. He is one of the major figures in the field of early music since the 1970s, largely responsible for bringing the viol (viola da gamba) back to life on the stage. His repertory ranges from to and music. Savall's musical training started in the school choir of his native town (1947-55).

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Donald Runnicles

OBE Donald Runnicles (born November 16, 1954) is a Scottish conductor. Runnicles was born in Edinburgh, Scotland, the son of William Runnicles, a director of a furniture supplier and a choirmaster and organist, and Christine Runnicles. He began his education at George Heriot's School in Edinburgh, moving later to George Watson's College which offered a specialised music education facility, followed by the University of Edinburgh and the University of Cambridge. He worked for a year at the London Opera Centre.

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Leopold Stokowski

Leopold Stokowski (born Antoni Stanisław Bolesławowicz) (April 18, 1882 – September 13, 1977) was the conductor of the Cincinnati Symphony Orchestra, the Philadelphia Orchestra, the NBC Symphony Orchestra, Hollywood Bowl Orchestra and the Symphony of the Air. He was the founder of the New York City Symphony and The American Symphony Orchestra. He conducted the music for and appeared in Disney’s Fantasia.

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Krzysztof Penderecki

Krzysztof Penderecki (born November 23, 1933 in D?bica) is a Polish composer and conductor. His 1960 avant-garde Threnody to the Victims of Hiroshima for string orchestra brought him to international attention, and this success was followed by acclaim for his choral St. Luke Passion. Both these works exhibit novel compositional techniques. Since the 1970s Penderecki's style has changed to encompass a post-Romantic idiom.

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