Impressionist | Musicosity

Impressionist

Erik Satie

Alfred Éric Leslie Satie (Honfleur, 17 May 1866 – Paris, 1 July 1925) was a French composer, pianist, and writer. Over the years, Erik Satie would be described as a precursor of movements and styles as varied as impressionism, neo-classicism, dada, surrealism, conceptual art, minimalism and ambient music. As taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in the 1924 film, Entr'acte, by the French filmmaker René Clair.

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Maurice Ravel

Joseph-Maurice Ravel (7th March 1875–28th December 1937) was a French composer and pianist. His piano music, chamber music, and orchestral works have become staples in the repertoire. Ravel's piano compositions, such as Miroirs and Gaspard de la nuit are virtuosic, and his orchestrations, such as in Daphnis et Chloë and his orchestral arrangement of Modest Mussorgsky's Pictures at an Exhibition, are notable for the effective use of tonal color and variety of sound and instrumentation.

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Robert Newman

Rob Newman (born July 7, 1964) is a half Greek-Cypriot British stand-up comedian, author and political activist. In 1993 he was the first comedian to sell out the 12,000-seat Wembley Arena in London with his then comedy partner David Baddiel. Newman's first speaking appearance was with Third World First (now known as People and Planet), the student political organisation. He began his comedy career as an impressionist in the late 1980s before gaining fame in the early 1990s when he appeared alongside Baddiel...

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Claude Debussy

Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. He was one of the most important figures in music at the turn of the last century; his music represents the transition from late-romantic music to 20th century modernist music. Debussy's music was completely unorthodox for its time. His pieces are often characterized by time signatures and rhythmic passages that evoke a feeling of flow rather than adhering to a rigid sense of time. His most dramatic contribution was his disregard for traditional ideas of chord structure and tonality.

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