At the edges of the ever expanding, mutating category known as electro(nica) stands Underpass. Eschewing the strategy for multiple pseudonyms – so favoured by other producers – with neatly accompanying subgenres, he has operated solely under this name for some years. Truth is, in a scene sometimes guilty of generic electronica-by-numbers, with Underpass you never know to expect. Except, you know, sheer stamina.
